Monday, 30 August 2010

Greek Cruise


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Looking for adventure and culture all in the same destination? If you are, then there is no better way to experience that than to get to Greece via a complete Greek Cruise. Greece has, for centuries, been a cultural and archeological hub that has attracted millions to its fantastic architecture and strong historical significance. Find out why Greece is a unique and magnetic destination for all kinds of travelers.

By taking a Greek Cruise, you will experience the convenience of waking up each morning to a new destination, without the hustle and bustle of changing accommodations and planes. Choose a stress-free and relaxed way to travel by hopping on a cruise liner and leaving the rest up to the crew. Wake up at Athens, Santorini, or Crete! Take an excursion to the world renowned Acropolis and Parthenon and relive the resonant remains of a rich culture. Or you can choose to wander in the streets of amazing architecture, enjoy the galleries and wines of the local community, and drink in the local color.

Taking a cruise liner will only make your trip easier, especially since the cruise ships have onboard spa facilities, entertainment, and a variety of world class cuisines that you can sample every day. Make Greece your next holiday destination and take a cruise that will offer you the best amenities, service, and hospitality that will help you make your vacation a more enjoyable one. Go to Greece where you can relive the prosperity of an ancient culture at the most convenience to you.




For more great information on a Greek Cruise visit our new website http://www.youronlinecruiseguide.com.

Sunday, 29 August 2010

Mobile Alabama - Museums, Parks, and Historic Architecture


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Mobile Alabama is a city rich in heritage. This is where you will find the shadows of the past through a variety of museums, historic buildings, and memorial parks. The battleship memorial park, for example, is the military park on the shore of Mobile Bay that features the World War II era battleship USS Alabama (BB-60). If you visit this attraction, you will feel the World War II times because of the memorials of Korean and Vietnam Wars, submarine USS Drum (SS-228), and other historical military equipment.

The Mobile museum is another place where you can find 300 years old "footsteps". In this museum, you will find essential parts of the culture especially in the historic Old City Hall (1857). The Oakleigh Historic Complex features three house museums that actually interpret the lives of people from three different levels.

The Mobile Carnival Museum is another historical gift in the state of Alabama. This museum houses the city's Mardi Gras history and memorabilia, plus the documents, costumes, and displays that were seen during the history of the festival season. These are just among the hundreds of museums that you can explore in Mobile Alabama.

Aside from museums, the Mobile city is surrounded by spectacular environmental blessings. The Mobile Botanical Gardens, for example, features a variety of flora spread. Over 100 acres of flowers, including 1,000 evergreen and native azaleas and other special species of plants are making the best gardens that you can find in America.

Mobile Alabama is also surrounded by over 45 public parks. Bienville Square, one of the most popular ones, is not just an enjoyable place but also an educational one. It is actually a historic park dating to 1850 in the Lower Dauphin Street Historic District, named after the Mobile founder, Jean-Baptiste Le Moyne, Sieur de Bienville.

You must have heard about the Antebellum Homes in Mobile haven't you? Among the popular ones that you might have heard about are the Italianate, Greek Revival, and Gothic Revival. Aside from these, you have a lot of museums, parks, and architectural heritage centers to explore.

Mobile Alabama is indeed one rich city that is worth a visit so pack your bags and get going!




Planning a vacation to the great state of Alabama?  Well, a must-see on your southern adventure is the lovely city of Mobile, Alabama.  Here you will find many attractions such as the museum of art, antebellum home tours, and many other family friendly venues.  Plan your journey now by visiting Alabama-trips.com to learn more about the fun and affordable vacation options that await you.

Saturday, 28 August 2010

cyclops

THE CYCLOPS Rooms without a view, in a quasi open-air, non visible from the street, building. The hotel is ensconced between existing buildings, its only façade looking out in a courtyard The traveling spirit it aims to cater for can be described by the words Autonomy, Independence, Privacy & Exclusivity. Privacy, is achieved by avoiding large public gatherings inside the building; All activities take place in the rooms, which provide an adaptable environment in order to enable guests to express themselves while away from home. A special automatic system using conveyor belts and mini service elevators for each room, ensures 24- hour room service without unnecessary contact with hotel personnel or other guests. The rooms are spacious enough to accommodate a party, versatile enough to be transformed into a working space and are equipped with transformable furniture. Spa treatments can be performed in the specially designed bathrooms. The building is organized around an atrium, which, along with the façade, a sheet of wire mesh, provide for light and air. Nearly all public areas are open-air. All 30 rooms are arranged around the atrium and are separated from it by glass panels protected by wire mesh. The basements host the conveyor belt system.

Friday, 27 August 2010

Red Ice Radio - Walter Cruttenden - Pt 4 - Rise and Fall of Civilization and Consciousness

We continue on the theme of solar system anomalies with Walter Cruttenden. In the past we've talked about planet-x, the destroyer star, cyclical catastrophe and strange effects linked with unknown bodies in or around our solar system. Walter is the author of "Lost Star of Myth and Time" and behind the Binary Research Institute that entertains the possibility that we are living in a binary star system with cyclical rise and fall of civilization and consciousness as an effect. Walter is an amateur theoretical archaeo-astronomer. He's been doing research on the celestial mechanics of the precession of the equinox, as well as myth and folklore related to this phenomenon. Topics discussed: A Companion to the sun, Rise and Fall of Civilization, Brown Dwarf, Dark Star, Black Hole, Ancient Stories, Rise and Fall of Civilization, Golden Age, Precession, Waxing and Waning of Light, Consciousness Affected by Light, Weakening Magnetic Field, More Advanced Cultures, Mesopotamia, Ancient Astronomy, Han Dynasty, The Olmecs, Technology is Manifestation of the Rise, Atlantis, Lemuria, High Culture, Myopic, Indians and Greek, 11.500 BC High Culture, Akkadian Culture, Mesopotamian Culture, The Coming Dark Age, Stonehenge, Farming, Preservation of knowledge, Architecture, 500 AD Avebury Circle, Polarity of Stone, Stone Circle and Hadron Collider Similarities and more. We begin our second hour to talk briefly about Julian Jaynes, his theory of the Bicameral Mind and how that connects with ...

Wednesday, 25 August 2010

The Empire of Reason 1/6 (Science and Islam - Episode 2 of 3)

Part2; www.youtube.com (Episode 2) Physicist Jim Al-Khalili travels through Syria, Iran, Tunisia and Spain to tell the story of the great leap in scientific knowledge that took place in the Islamic world between the 8th and 14th centuries. Al-Khalili travels to northern Syria to discover how, a thousand years ago, the great astronomer and mathematician Al-Biruni estimated the size of the earth to within a few hundred miles of the correct figure. He discovers how medieval Islamic scholars helped turn the magical and occult practice of alchemy into modern chemistry. In Cairo, he tells the story of the extraordinary physicist Ibn al-Haytham, who helped establish the modern science of optics and proved one of the most fundamental principles in physics - that light travels in straight lines. Prof Al-Khalili argues that these scholars are among the first people to insist that all scientific theories are backed up by careful experimental observation, bringing a rigour to science that didn't really exist before.

Tuesday, 24 August 2010

Let's Go To Italy!


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Italy is one of those countries that is exploding with culture. The different cities and towns have something different to give to every traveler's experience. Being the capital, Rome has all these stories of history scattered around the city, and when you find one of the ruins you can just stand in awe for hours on end imagining what it would be like to have lived in that time and how the architecture of these beautiful buildings would have looked.

I just had to visit Rome and it was one of the most fascinating cities I have ever been to. After we got out of the airport with our hire car from Auto Europe, we checked into our hotel and then took a drive down to the city. It seemed that everywhere we turned there was some kind of ruin of a temple or an old piece of architecture. We had to park a little out of the city center due to a lot of traffic and wandered some of the side streets. There were gorgeous Italian shops, which sold different kinds of trinkets and souvenirs.

There are a fair few hills to walk up in Rome, so if you are planning on exploring by foot, take sensible footwear. As we turned around the corner we were greeted by the sound of running water. The Trevi Fountain was so beautiful and was one of the ancient aqueducts that supplied water in ancient Rome. This is also an absolute must-see at night because the entire fountain is lit up with spotlights. We carried on wandering around the side streets until we were all dying for some food, so we found a restaurant and shared a lunch of pizzas, pastas, bread, sausages, cakes, coffee, I could go on forever.

We had to get up and walk off all the carbohydrates we just consumed. We walked up some steps of a huge hill, which we were later told by some passers by was Palatine Hill. This is the centre most of the Seven Hills of Rome. I love Greek and Roman Mythology so I was interested in the mythical history of Romulus and Remus, whom were found in the cave Lupercal here, and is believed how Rome got its name. Looking out across the hill we could see the ruins of the Temple of Venus and Roma and if we looked to our right, there it was, one of the wonders of the world, The Coliseum. It made my holiday.

That was just some of the sights in Rome, there are so many more in and around the city, why not think about visiting and learning about Greek and Roman Mythology, or go and admire the beautiful architectural ruins that have been left that give the city such a sense of being.

The best way to know Italy is by renting a car. Admire the exquisite beauty of the countryside in Tuscany with its cypress woods, vine-covered hills and remote hilltop villages. Drive along in this unique landscape with diverse vegetation and stop to see the leaning Tower of Pisa. Experience a Gondola ride in Venice with its beautiful and famous canals. Visit Verona, the city of Romeo and Juliet, to see its charming and fantastic architecture. With a car hire in Italy from Auto Europe, the entire country opens up for you to experience.




If you are planning a trip to Italy and looking for car hire in Italy? Rent a car with Auto Europe and find the best deals

Monday, 23 August 2010

Hotel Saint Nicolas Bay in Aghios Nikolaos, Greece

The Saint Nicolas Bay can be seen as a luxury hotel par excellence. Located right on the beach of Aghios Nikolaos on the Greek island of Crete, the beach hotel offers full 5 star service, suites with a private swimming pool, a large wellness package, plenty of culinary variety, a beautiful view of Crete and its own private beach. The Hotel Saint Nicolas Bay This beach hotel is a real jewel. Elegantly and tastefully nestled into the northern coast of Crete, the luxury hotel Saint Nicolas Bay combines traditional and modern architecture. The typical white walls of the buildings See more at: en.escapio.com

Sunday, 22 August 2010

Southern Living House Plans Are Warm and Full of Charm


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Southern living is a classic way of life not necessarily a house design style. If you keep that in mind you can develop a southern living house plan with the features that you want that will allow you to create your southern living dream. Southern living comes from a place in time marked around the civil war. It is civilized and creates a southern home that incorporates families, friends and good ole southern charm. Creating a home design around these principles makes a southern living house plan well worth checking out.

The dashing Rhett Butler and unattainable Scarlet O'Hara gave us our first vision of the Southern Home. With its central spiral stair case, formidable columns and its palatial landscaping, Tara became the model southern living home. The grand home provided plenty of room for formal and informal gatherings. Many homes today are not built to the scale of Tara but can certainly incorporate the feeling of hospitality into their floor plans.

Spotting a southern living house plan is easy if you know what to look for. These homes have central entry ways as well as rear exits. They are known for great, eliptical stair cases. Pillars that take their cue from Greek architecture generally mark the expansive front porches of these homes. The roof lines incorporate hipped or gabbled features.

The location of these homes is in the southern regions that boast warmer climates so indoor outdoor living on the large porches make them very appealing. There is nothing to say that hardy northerners can't enjoy these house plans in their own neighborhoods as well.

If you are interested in creating a home plan that is ornate, classic and homey than southern living plans may be a good place to start. You can find hundreds of these plans on the many house plan repositories on the internet. You can even seek advice from the very popular "Southern Living Magazine," for design tips and home building ideas.




Charity Adams is an HGTV and Home Improvement Junkie. Charity enjoys researching southern living house plans and home improvement. For more information on house plans including Southern Living House Plans, check out Charity's Southern Living House Plan page. http://myhouseplansonline.com

Friday, 20 August 2010

Picture Framing History


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Traditional picture frames was made out of wood, which today, is still the most widely used frame. Overall, picture frames are made of any color or texture, and almost any material. As you have seen in your local art gallery, picture frames can have many moldings.

To protect the picture, most commercial frames have a pane of glass, or in many cases, a pane of plastic substitute called Plexiglas. Though glass panes have better clarity, can be made to restrict glare, and make the painting more valuable, there are not as durable. For watercolor and oil paintings, you will find them protected by glass, except for those paintings in museums.

Because of condensation, glass should not come in direct contact with the painting. Unlike posters, temporary observations, or disposable art, it is necessary to protect other valuable art in all frames. Protecting the art requires spacing between the art and the frame and this is done by using rows of plastic spacers. This process is called matting. There are a number of other methods to put space between the picture and the picture frame, including shadowboxing, placing the glass in between two moldings.

Paintings in acrylic or oil, typically will not need to be covered by glass. The reason being is very different; for acrylic paintings, they are waterproof, and for oil paintings, they need to breathe, due to decades-long drying process that is required. At times, there may be a purpose for putting these type of paintings under glass temporarily by the matting process mentioned prior.

What about the back-side of picture frames? In the case of oil paintings, there is no backing. For most other paintings, foam-core, or simply backing paper is utilized. The paper, as one might suspect, can tear, though it be an inexpensive choice. History of framed art goes back several centuries, with the discovery of a portrait of a mummy in an Egyptian tomb. They date this discovery back to the 2nd century, A.D. This portrait was still in its wooden frame.

In most cases, ancient picture frame bordering was used to separate scenes and depictions by ancient Egyptian and Greek artists, most usually found in pottery and wall paintings. Experts revealed that these frames are typically made from one piece of wood, the area to be painted was carved out, leaving a raised border, or frame. This became an early frame as the scene was then painted on the carved out portion.




I hope you enjoyed this article. My passion is writing about Internet Marketing, health-related topics, and also enjoy discussions on Picture frames, and Silver Picture Frames.

Thursday, 19 August 2010

GREECE IN BULGARIA

Sandanski is a city in south Bulgaria,part of the ancient Macedonian kingdom.we can see the museum and some archaeological sites there , that all are Greek,even if the Bulgarians dont admit that they are Greek.what those founds say its clear,MACEDONIA IS GREECE .

Wednesday, 18 August 2010

Vancouver, BC - Through My Eyes / By: Hisham Ibrahim-www.PhotoV.com

A tour of Vancouver,through the eyes of Photographer Hisham Ibrahim. All Photos Copyright Hisham Ibrahim / www.PhotoV.com Photographer Hisham Ibrahim is a Professional Photographer and Photographic innovator. Born in Alexandria, Egypt. Hisham moved to Washington DC / USA right after receiving his BS in Architecture. In America he received his Master's Degree in Architecture and his degree in Photography. Currently he is a full time registered architect and freelance stock photographer represented by the leading stock agencies in the USA and Europe. Hisham Ibrahim is a Nationally and Internationally published photographer. He routinely creates unique, dynamic and eye-catching imagery. Currently, Hisham is the most celebrated and published Egyptian Photographer in the world.

Tuesday, 17 August 2010

The Getty Villa near Malibu, California

A beautiful copy of a Roman villa filled with Greek, Roman and Etruscan antiquities. English subtitles.

Monday, 16 August 2010

Egyptian Revival Architecture


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Egyptian Revival is an architectural style which makes use of the motifs and imagery of Ancient Egypt. The ancient Greek architecture used the pyramid shape and required huge rocks in order to build the building. If you will look at the pyramid which is among the Seven Wonders of the World then you will find out that the Egyptians were really rich and they used to build the buildings which looked like being a huge luxurious place for living.

Egyptian Architecture before Napoleon

One of the most important examples which your will find related to the Egyptian revival architecture is probably Bernini's obelisk in the Piazza Bavona at Rome. Others may be found at Belan, County Kildare and Dangan, County Meath. The Casteltown Folly in County Kildare is among the best known master piece related to the Egyptian revival architecture.

You can say that the Egyptian buildings have been used for different purposes Egyptian buildings had also appeared as garden follies. The most complicated was perhaps the one built by the Duke of Württemberg in the estate of the Château de Montbéliard. In this you will find an Egyptian bridge across which guests walked to reach an island with an Egyptian swing and an elaborate Egyptian "bath house". The building featured a billiards room and a "bagnio". It was premeditated by the duke's court architect, Jean Baptiste Kleber.

Some of the important buildings which were built with the help of the Egyptian revival architecture are as follows:

1.1820 pyramid, memorial to Elizabeth, Lady Rufane on Donkin Hill at Old Portuguese Algoa Bay in what is now South Africa.

2.The 1833 First Presbyterian Church (Sag Harbor) by Minard Lafever, a rare example of an Egyptian revival church.

3.The 1835 Philadelphia County Prison (demolished in 1968), design by architect Thomas U Walter.

4.The Tombs and 1838 prison and court complex in New York City.

5.The 1845 Hobart Synagogue, Tasmania, Australia.

6.The 1840 railroad station in New Bedford, Massachusetts was done in Egyptian Revival style.

7.1840 gates of the Granary Burying Ground in Boston by Isaiah Rogers.

8.College of Cape Town, South Africa, now the University of Cape Town.

9.The 1843 gates and gatehouses of Mount Auburn Cemetery by Jacob Bigelow.

10.The 1845 massive brownstone entry gates of the Grove Street Cemetery at Yale by architect Henry Austin.

11.1845, the Egyptian Building of the Medical College of Virginia.

12.The 1846 First Baptist Church of Essex, Connecticut.

13.The 1846-8 Old Synagogue at Canterbury, England.

14.The 1848 Washington Monument is an obelisk. It originally featured doors with cavetto cornices and winged sun disks, later removed.

I really feel that these are some of the examples of the buildings which used the Egyptian revival but I would definitely say that you will find all the buildings which have been built in this style to be gorgeous.




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Sunday, 15 August 2010

How to Tell What Style Your House Is


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Pocahontas was chatting with her friend Captain John Smith, comparing her reed-covered hut with his sturdy log home. "Hey John," she asked, "What style is your house?"

"I'm not sure," Smith answered, "I think it's a Colonial."

Most American homes contain some elements of Architectural style; some are "pure" examples of style, but most have bits and pieces of different styles. The job of identifying a home's style is a little easier if you know a bit of history and look at a few key features including massing, roof shape, window size and placement, and detailing.

Colonial Homes

Most American Colonists were English, so most Colonial homes are derived from English styles. The earliest were based on old medieval homes, easily identified by simple massing, a few small windows, and massive chimneys. The New England saltbox with its lower back roofline is a common adaptation of the medieval style; Dutch Colonials have similar massing but are distinguished by their distinctive gambrel roof style.

Interest in English Colonial architecture grew tremendously with the restoration of Colonial Williamsburg, Virginia in the early 20th century. A great many suburban homes of the 1930s and 1940s are based on the Colonial Williamsburg model and that influence continues today.

Georgian Colonial style is very common and has many variations. The best-known Georgian homes are of red brick, although wood siding is also common. Georgian homes are simply massed; usually have a centered front door; double-hung windows; and a gabled or hipped roof. Georgians range in decoration from the very plain to the very elaborate.

Revival and Eclectic Styles

Home designers and builders have been influenced by styles from earlier times throughout American history. In the 19th Century, many homes were based on classical models.

Greek Revival homes have very simple forms, often just a single rectangular block. Taking cues from Greek temples, builders added a front porch with massive columns, and a very heavy cornice line at the roof.

Italianate styled homes emphasize the vertical and are almost always very elaborately decorated. The cornice line at the roof of an Italianate is notable for wide overhangs and large scrollwork brackets, and the windows are often crowned with ornately carved headers.

Colonial Revivals aren't copies of original Colonials; rather they're liberal interpretations of all shapes and sizes, using Colonial details and elements for inspiration. The Colonial Revival style was extremely popular during the early 20th Century and almost always has a front porch, a detailed cornice line, double hung windows, and symmetrical massing. Many new homes that don't fit into other stylistic categories might be best classified as Colonial Revivals.

Tudor is a very free-form style. Typically they're very asymmetrical with very steeply pitched roofs. A wide variety of material is seen on the outside, although the best-known examples include some "half-timbering" - areas of stucco or brick broken up with wood timbers. The entry of a Tudor home is often modest but heavy, and windows are broken up with many small panes. Tudor style was very popular in the 1920s and 1930s and is seeing a comeback today.

Victorian Homes

"Victorian" refers to a group of styles popular in America during the late 19th century that was made possible in part by the invention of new framing techniques.

Queen Anne is the most common Victorian style and is characterized by an irregular shape, a steeply pitched roof, elaborately carved details, and large porch. Queen Annes are known for their multi-hued color schemes and complex siding and trim details.

Shingle style is uniquely American in origin, and was one of the first styles to be embraced by society Architects of the late 1800s. Shingle style homes are often similar in massing to the Queen Anne style, but as the name suggests, used wood shingle siding as exterior cladding. Shingle style homes make a point of avoiding elaborate exterior detailing and trim.

Early 20th Century

In the first half of the 20th century American Architects began developing new home styles instead of relying on classical and European models for inspiration.

Among the more notable American styles is Prairie, popularized by Frank Lloyd Wright but practiced in various forms throughout the country. Prairie homes are typically long and low with deep roof overhangs; windows are often grouped together. Porches are common and usually supported by massive columns. The Prairie style wasn't in fashion long but strongly influenced hundreds of thousand of "ranch" homes across the country.

Craftsman style began in California and quickly became the preferred style for small homes across the country until about 1930. Small Craftsman homes are usually called Bungalows and are characterized by low-pitched gabled roofs with wide overhangs. Details such as beams and brackets are very common. A Craftsman home has a "hand-crafted" look that continues throughout the interior.

Late 20th Century

After a period of little interest in "styled" homes, good design is making a comeback. Some older styles are popular again including Georgian Colonial and Craftsman, and a few new styles have been developed that are fashionable in many parts of the country.

Classifying a late 20th Century home can be difficult as they're often a mix of elements from different styles. But most homes have at least one strong feature that puts closer to one style than another. Find that dominant feature and you'll be on the right track to naming the style.




Richard L. Taylor, AIA is a published author and recognized expert in Residential Architecture. He is President of Richard Taylor Architects, a 5-person firm in Historic Dublin, Ohio that specializes in custom and luxury home design, and remodeling and room addition projects of all sizes. Sense Of Place | Residential Architects

Saturday, 14 August 2010

A Seinfeld 3dMax Festivus

YAAAAYY!!!!!!! MY FIRST YOUTUBE VIDEO!!!!!!!!!! First of all, for all you people that don't watch seinfeld, Festivus is a holiday created by a seinfeld character, Frank Costanza, because he was sick of the christmas commercialism. I know it's a little after the holidays, but it just got finnished know, when i planned to get it done before christmas. Can you belive this little video took me 2 months to make? for everyone that don't know what AutoCad 3d Max is, its a 3d animation program, that is a huge element for people in industries such as Architecture and Video Game design. Thankfully my school provides an educational version, which is what i made this video from, because the real version is a fortune, 3 grand! Stay tuned for my next 3d Max video, a walk around of my 70000 capacity soccer stadium, which is half-way finished! It will look across between the Berlin olympiastadion and the Spiros Louis OKAKA stadium in Athens. Well Enjoy! Cheers, everyone!

Friday, 13 August 2010

The Greek Brigands - The Culture of Financial Crisis


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"But what about the Greeks? Their national character is based on the idea of the impoverished and downtrodden little man getting the better of the world around him by sheer cunning." - Lawrence Durrell, Prospero's Cell (1945)

The Greek crisis has exposed existential weaknesses in the Greek economy and revealed shortcomings in the larger European system of financial checks and balances. But the often emotional responses have also proven a cultural polarity between north and south. The German magazine, Focus, captured this antagonism by an image of the Venus of Milo suggestively sticking up the middle finger at Germany. Angered Greeks in return reminded Germans of the Nazi looting of Greek gold reserves and unpaid war retributions.

Beyond this populism in the media, there exists a fundamental rift in policy views between Mediterranean countries on the one side and Atlantic countries on the other side. In his influential book, The Protestant Ethic and the Spirit of Capitalism (1905), the German sociologist Max Weber studied already the relationship between culture and economic performance. Weber considered the Protestant working ethic a pivotal element in the development of capitalist modernity. Behind the state of affairs of the Greek crisis lie causes rooted deeper in Greek culture than the immediate problems of government and economic structure. The traces of these historic roots carve an individual psychology and shape social norms that are difficult to change with measures of policy by politicians responding to the market's wits.

In traditional Greek dances a group of dancers, interlocked arm over shoulder, form a circle and move with a set of prescribed steps. The Greeks do not easily break with their tradition and they do not possess an innate curiosity for the new like Western culture. Greeks depend on the bonds with family and their community. Arms locked, only the leader of the dance improvises, while the rest do not break the line of the circle.

The eyes of the international financial markets are on the fiscal measures announced by George Papandreou, the first citizen of Athens, and the reforms to be implemented by the central government. The response of Greek society and the economic support by the European Union members will be decisive in their success. The question is if the government can enforce the new policies in a country so geographically scattered and with a history of tax evasion as Greece. Historically Greeks dislike central government and have relied primarily on local self-governance, strengthened by the geographic distance of the islands from Athens and the isolation of mountainous villages. Not even the chief-god Zeus could rule the lesser Greek gods from the peaks of Mount Olympus, the highest mountain in the country. Greek history justifies mistrust in a Greek success. Measures to centralize government and constitute an efficient modern state have always been resisted, from classic times with the Delian League that ended in the Peloponnesian War, the occupation by the Ottoman Empire that gave birth to the palikare, the Greek folk hero, or the rise of the current government for which corruption and tax evasion are emblematic.

When the Persian empire threatened the independence of the Greek city states, Athens and the allied Greek city states formed the Delian League in 487 BCE. Members of the League were obliged to contribute soldiers for the defense of Greek democracies or could alternatively pay taxes to the League. When Athens started to control the League, Athens forced other city states to continue paying taxes to the League solely for its own benefit. When cities refused, they faced the wrath of the Athenian army and were simply annexed by Athens. But when the famous statesman Pericles moved the treasury holding the paid tax contributions, from the island of Delos to Athens, the rest of the Greeks defied. The resistance against dominance by Athens resulted in the Peloponnesian Wars and finally in the defeat and surrender of Athens in 404 BCE. Can Athens ensure a different outcome now?

Already under the Ottoman empire the Greeks resisted taxation, which was a symbol of oppression. From the fifteenth century they suffered heavy taxation by the Ottomans. As Christians under Islamic rule they were obliged to pay a land tax and the jizya, a tax for non-Muslims which was symbolic for subjection to the Ottoman rule. Heavy taxation reduced most Greeks to subsistence farming, while large estates fell into the hands of Ottoman nobles. Resentment against such taxation accumulated over almost five hundred years of occupation. The problems of modern Greece cannot be understood without understanding this Ottoman occupation of Greece and the long struggle for independence that lasted over a century, only ending bitterly for the Greeks in the disastrous defeat of 1922 against the forces of Atatürk's modern Turkish state. The 1922 defeat meant an end to the Greek megali idea or great idea of a larger Greece that included Asia Minor and Constantinople, current day Istanbul. This defeat of the Greek state in Asia Minor was a failure by the central state with traumatic consequences.

The Museum for the Macedonian Struggle in Thessaloniki is a very small museum but with a deeply significant meaning for Greeks. In a corner mansion behind Aristotle Square, it showcases the history of the Macedonian Struggle, the guerrilla war against the Ottomans from 1900 to 1908, which annexed the Greek populace in Macedonia to the independent Greek territory. In 1821 the Greeks had won independence but it did not extend far beyond the Peloponnesos and Attica. The annexation of Macedonia gave the Greek state a renewed confidence that defined the Greek national identity and placed a claim on all territory in the greater region with Greek populations.

One room in the museum is devoted to Pavlos Melas who fought in the Macedonian Struggle. Behind a vitrine lay on view relics of Melas and part of his former personal belongings, a Smith and Wesson 38 revolver, an invitation card to his wedding, ribbons from his memorial wreaths, and a tin cup. He is a national symbol for the enosi or union of Greece that was hard fought and thereby of the Greek national identity. He is the embodiment of the traditional Greek folk hero, the palikare. As a lieutenant he left the regular service in the new army of the Greek state in order to fight as a brigand or irregular fighter against Ottoman occupation in Northern Greece. Greece was confined largely to the Peloponnese and consisted of a patchwork of people with different dialects. The irregular fighters became folk heroes to the Greeks, where the regular Greek army seemed incapable to protect the occupied Greeks in the north.

The irregular fighters fought in the same tradition as the Greek Klepths. These men had fled to the mountains in the eighteenth century to avoid the rule of the Ottomans and had formed bands of outlaws that later fought in the Greek War of Independence from 1821 to 1829. But also the Ottomans had used irregular forces to control impenetrable mountain areas. They allowed powerful local captains in these lawless areas to rule at will under oversight of distant Ottoman overlords. Even in our time, the use of irregular fighters was widespread during the recent Balkan Wars.

The palikare was in essence not more than a small brigand, who in groups roamed the mountains under the banner of irredentism and liberation of the Greeks. They evaded the rule of law and depended often on captains that exercised local power. The Greek national writer, Nikos Kazantzakis, describes this archetype colorful in his novels. In Freedom and Death the palikare Captain Michales refuses to swallow the occupation of Crete by the Turks, and the unruly Zorba is described in the novel Zorba the Greek, brilliantly enacted by Anthony Quinn in the 1964 film. The mountain freedom fighter, evading authority and growing a beard in defiance, this is the Greek traditional spirit.

The palikare is a symbol of the current Greek financial crisis, reflected in a popular sentiment that rejects the centralized modern state and commends the outlaw. The Greeks do not identify with the politics of central government, despite the fact that one out of every four Greeks is a public servant and is directly dependent on the government for their income. The central government is considered wasteful and corrupt, from which it is justified to extort money. While the citizen rejects subjection to the rule of the central state, the central state is a corrupt body that accommodates a game of lies in order to accumulate monetary gain.

The Greeks cunningly receive an income from government, while evading taxes and participating in the informal economy, defrauding the central state. This lack of loyalty extends to the even more remote European Union. Greeks gladly accept the EU subsidies paying lip services to its demands, but resent any interference in their lives. This practice goes back to the times of the Ottoman state, where Greek subjects evaded being taxed but sent representatives to Constantinople to request fiscal favors. While Ottoman rule had instituted local self-governance as the means for tax-assessment and tax-collection, the system developed local councils that were dominated by powerful local captains and wealthy families with a patron-client dependence.

Since its independence in 1821 the modern Greek state that emerged out of the Ottoman system has not been able to eradicate this local patron-client system which depends on counter dealings and favoritism. On the contrary, it could only emerge and survive by favoring such interests of the powerful local patrons or captains in return for their support, in a similar process as the centralized power of the European Union only is advanced by returning political favors.

Prime-minister George Papandreou understands the Atlantic European perspective and sensitivities. Like many Greeks who worked in Germany or America for the best part of their lives, he lived and studied in America and in Sweden during the formative years in his life. But although George Papandreou calms European suspicions by vocalizing a firm though nothing but verbal promise of reform, he himself is a vested representative of those powerful families that are symbolic of the centuries-old formalized corruption. Papandreou's grandfather was three times prime-minister of Greece, his father founded the social-democratic party PASOK and also served as prime-minister, while the Nea Democratia party has been dominated by the patrons of the Karamanlis family.

Greek promises and measures of reform have pacified international markets and appeased European political leaders for the time being. Since Greece's accession to the EU, however, Greek promises and assurances have been provided continuously under very similar scandals, and there has been little assurance from recent developments in Greece that this time will be different. The cotton-growers of Thessaly are perhaps exemplary for the problems of the Greek economy which is simply not compatible on the international market and for Greek fraud. Cotton growers depend heavily on subsidies for profitability, not shunning fraud and corruption, like wetting the cotton crop with water to increase the weight of the cotton. In 1992, for instance Greek farmers invented one fifth of its cotton crop in order to claim extra EU subsidies, and in Greece cotton farmers recently blocked most of the highways in Northern Greece, demanding payments from the government to offset loss of income from falling cotton prices on the international markets, while having resisted agricultural reforms for decades.

And even while prime-minister George Papandreou was on a credibility-building tour around European capitals, among other speaking at the World Economic Forum in Davos to calm unrest on the financial markets and restore political credibility, his own Minister of Agriculture Katerina Batzeli reached an agreement with protesting farmers to provide financial compensation. Among the key measures was the injection of five and a half billion Euro by the Greek state to boost incomes and liquidity, promising little change in policies at home. And ask a Greek for an analysis of the current crisis, they will without exception point at the corruption of remote politicians, only admitting to some blame themselves in a delayed sub-clause.

But Europe has always been blinded by its love for Greece and one must fear that this will not change overnight. It has always admired Greece as the ideological and cultural foundation of European values. We learn from Greece the principles of Athenian democracy and copy Greek architecture, our secular thinkers study Heraclitus and Parmenides, our Christian moralists study Aristotle, Plato and Socrates, we learn the mathematics of Pythagoras, Euclid and Archimedes, our intellectuals learn by heart the Iliad and the Odyssey, even European cynics and stoics cling to the Greek. But this impression of Greece is overly romantic and Byronic, and one must hope that it is soon replaced by a more northern sense for Real-Politics.

The Philhellenic idea of a pastoral Greece in perfect harmony with nature disputes the complex reality of a twenty first century Greece. The sentiment of betrayal felt in Europe is as much a self-betrayal by a European Byronic complex. As Greece struggles to reconcile Western austerity with its Orthodox Byzantine generosity.

So, the Greek suitors have feasted and the time for reckoning has come. The return of order must be considered without sentimental attachments or unreasonable demands, while Europe must not be blinded by Greek cunning and abuse. The Greeks must decide to either be part of Europe and respect its fiscal rules or return to the Drachma as a political currency and loose its place at the European table.

"I detest that man, who hides one thing in the depths of his heart, and speaks forth another." - Homer, Iliad IX, 312-13




Remko Caprio
Living on Ikaria, Greece
Writing currently on several publications, among other, a Poetic Travel Guide 'The Lydian Verses' and a non-fiction publication 'The Ikarians' about the 'Red Island' better known as Ikaria, Greece.
Homepage: http://carackus.blogspot.com
Email: rc@remkocaprio.com

Remko Caprio is a European writer residing in New York City. He is currently at work on a travel guide of poetry called 'The Lydian Verses' describing ancient Lydia in Western Turkey. Influences: Fernando Pessoa, Henry Miller, Friedrich Nietzsche, Sigmund Freud, Karl Marx, Classicism, Surrealism, Nihislim, et al. You can find notes and writing in progress at his website http://carackus.blogspot.com.

Thursday, 12 August 2010

Stamos Hotel - www.stamos-hotel.com

Welcome to Stamos Hotel www.stamos-hotel.com Spend a dream vacation at the Stamos Hotel in Chalkidiki, the jewel of Νorthern Greece! The Stamos Hotel is located in Afitos, a picturesque settlement on the eastern side of Kassandra, the first peninsula of Chalkidiki (Halkidiki), which is famous for its natural beauty and cosmopolitan lifestyle. The Stamos Chalkidiki hotel rooms are situated at close proximity to the beautiful, organized beaches of Afitos, making the one of the ideal Chalkidiki hotels for those who want to relax on soft sands and swim in crystal-clear waters. The Stamos Hotel in Kassandra, Chalkidiki is a cosy, hospitable complex, built according to traditional Macedonian architecture, with comfortable rooms, stylish hotel facilities and first-rate services, which guarantee guests a pleasant and comfortable stay in Afitos, Chalkidiki. All these fantastic features make Stamos one of the most popular Chalkidiki hotels in Afitos Kassandra.

Wednesday, 11 August 2010

Things to Know About Athens


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The namesake of a mythological goddess and revered as the mecca of modern western culture, there are more than three thousand years worth of things to know about Athens history.

Athens was named after the Greek goddess of civilization and wisdom, adeptly called Athena. Athens is the capital city of Greece. It is also the most heavily populated. In 2006, approximately six million residents called Athens home with 3.1 million living in Athens urban area, which consist of just the city, and 3.7 million inhabitants populating the entire metropolitan area. One of the interesting things about Athens is that the distinction of Greece's largest population is putting the city on the brink of a position of dominance in Eastern European business.

Athens is one of the world's senior cities. Ancient Athens history spans nearly three thousand years. The days of the ancient city provide various interesting facts about Athens' history and the society that it would become. Ancient Athens was a Greek city-state world-famous during the fourth and fifth centuries B.C. Athens was particular prideful of it's educational excellence, as demonstrated by the illustrious Plato Academy and Lyceum by another respected scholar, Aristotle. The founder of the democratic process, Ancient Athens is considered on the forefront of introducing key elements of Western civilization, including education, athletics, and culture. The first Olympic Games were held in Athens in 1896.

A number of epic works of art and landmarks were born during the reign of Ancient Athens. The two most famous of those paramount monuments are the Parthenon and the the Acropolis. The Parthenon is considered the finest structure of Greek architecture. Built as a temple to the goddess Athena, Parthenon, with it's descriptive sculptures, was constructed in the fifth century B.C at the insistence of Athens general, Pericles. The Acropolis, otherwise known as the "Sacred Rock," is a rock structure raising five hundred twelve feet into the air and characterized by a flat-top. The Acropolis is located on a plain of Attica, a Greek subdivision. The Ancient Athenian darling contains a sturdy layer of blue and green limestone that protects the construction from water damage. Ancient Athens is presently situated atop a rocky hill near the Acropolis.

The Plaka tops the charts of interesting Athens' attractions. The Plaka is the oldest neighborhood in Athens. It is located just under the Acropolis, with Kydatheneon and Adrianou, featuring the Monastiraki Flea Market, as the two main streets. The Plaka served as the vibrant nightlife district of Athens before the local government banned amplified music in the community in the seventies in an effort to drive traffic out of the neighborhood. The tactic worked, turning The Plaka into a community of tourism wonders. Jewelry retailers, tourist shops, and cafes are abundant here. Coral, a tourists destination located on the corner of Voulis and Apollonos, specializes in the sale of antiques, knick-knacks featuring hand paintings, and wood carvings. Gold retailers thrive in this community of Athens-cheap Greek labor makes the metal inexpensive. Various streets in The Plaka are closed to automobile traffic, making way for street vendors, flower merchants, and local musicians.

Many people immediately charge out the Islands when they visit Greece. While the islands are tremendous, spending a few days in Athens is worth the time.




Richard Monk is with FactsMonk.com - get daily facts each and every day.

Tuesday, 10 August 2010

Sarah Travel Diary - Petra Jordan ( one of the wonders of the world) Part one

Well I never thought I would ever go to Jordan it wasnt really one of the places I had ever wished to go but wow what an amazing place. It is said to be one of the wonders of the world. Its this amazing place which has been built out of cliffs and gorges and its so hard to explain really what it is like.. Harrison Ford did film a triology of films of course very famously. Petra* UNESCO World Heritage Site -------------------------------------------------------------------------------- The Treasury at Petra State Party Jordan Type Cultural Criteria i, iii, iv Reference 326 Region** Arab States Inscription history Inscription 1985 (9th Session) * Name as inscribed on World Heritage List. ** Region as classified by UNESCO. Petra (Greek "πέτρα" (petra), meaning rock; Arabic: البتراء, Al-Batrāʾ) is an archaeological site in the Arabah, Ma'an Governorate, Jordan, lying on the slope of Mount Hor[1] in a basin among the mountains which form the eastern flank of Arabah (Wadi Araba), the large valley running from the Dead Sea to the Gulf of Aqaba. It is renowned for its rock-cut architecture. Petra is also one of the New Seven Wonders of the World. The Nabataeans constructed it as their capital city around 100 BCE.[2] The site remained unknown to the Western world until 1812, when it was introduced to the West by Swiss explorer Johann Ludwig Burckhardt. It was famously described as "a rose-red city half as old as time" in a Newdigate prize-winning sonnet by John William Burgon ...

Monday, 9 August 2010

Aegean Sailing - Where to Go!


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Introduction:

Whether your pressed for time or planning an extended charter, Aegean yacht charter can provide both. The aim of this article is to show sailors that this piece of water has the necessary wow factors to suit your chartering requirements.The attractions of the Greek islands are many. On one hand you have ancient culture and history and on the other fine dining, romantic venues, plus fabulous sailing too!

Saronic And Cyclades Islands

If you are looking for an idyllic, quick charter, then saronic islands yacht charter or slightly further to the South Cyclades islands yacht charter should the islands you choose. They are both close to the international gateway of Athens. Arrive by plane and go straight to one of several marinas, collect your elegant yacht and away you go!

Sporades Islands

Time may allow you to go further afield. To the North of Athens, situated in the Western Aegean lie Sporades islands yacht charter opportunities. Here you will see for yourself the clearest blue waters that Greece has to offer! There are eleven islands in this cluster, providing a treat for everyone.

South East Aegean: Dodecanese Islands

These twelve islands to the East of Crete are even by the standards of Greek islands - stunning. Being Close to Turkey means that the cultural influences can be found within the cuisine and architecture on the islands.

Southern Island Of Crete

Crete is the largest of all the Greek islands. Your Aegean yacht charter article would not be complete without a mention! If you have time, then a cruise to Crete is worthwhile. The islands remains unspoilt and is not touristy. You will enjoy the authentic cuisine, all of which is grown organically on the island.

Learn More About Aegean yacht charter

Thank you for reading this quick guide. If you would like to learn more about each island chain, then go the two links below.

Have a great holiday!




My name is Chris Wethered my site is set up around chartering and boating Click here for more information. Or if you would like to get to grips with dates, boat designs and destinations this is for you.

Saturday, 7 August 2010

Ancient Greek Theatre Architecture


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The ancient Greek theatre was shaped by the literary evolution of the plays. Threshing floors, where the rural Dionysiac troups first held their feasts, constituted the early pattern of the round orchestra (playing area) in subsequent theatres. In the centre of this orchestra was the thymeli, the altar of the god, demonstrating the origins of the theatre in ritual. In the initial dithyramic assemblies, devotees stood around the threshing floor. In the theatre, the spectators' seats filled the amphitheatric auditorium which was built into the natural slope of a hill and usually divided into two horizontal diazomata (sections) and many wedge-shaped kerkides (blocks of seats) the number of which changed according to the size of the orchestra. The tiers in the upper section were twice the size of those in the lower. The auditorium covered 2/3 of a full circle, making it necessary to build retaining walls to support the side sections. The seats were semicircular rows of steps. The first row had comfortable, throne-type seats with backs, places of honour. When women were permitted to attend a certain performance, then they sat in a separate section. The places in the upper diazomata were for foreigners. Slaves did not appear to have the right to attend performances.

The orchestra (playing area) was the soul of the theatre. All the other parts grew up around it, as its final circle was surrounded by the auditorium. The altar, which was right in the centre, had to be equidistant from all sections. The side doors beside the retaining walls of the auditorium were called the parodoi, through which the spectators entered the theatre. The appearance of actors through these entrances was significant for the plot of the play: the public was aware of the convention that when an actor entered from the right-hand door, he was coming from the city; the use of the opposite door meant that he was arriving from some distant place. The members of the chorus always stayed in the orchestra, even later when a platform and stage buildings were added to its open side. There was a strict mathematical relationship between stage, altar and auditorium, which was related to the effort to perfect the acoustics.

With the creation of the stage, steps were built leading up from the orchestra to the logeio (platform), where the actors recited their parts. At the back there was a large wooden facade, movable and painted, which depicted an outdoor backdrop. This facade was always the same according to the play: in tragedy an official building was shown, usually a palace or temple; in comedy smaller, rural buildings tended to be used; in satyric drama, the scenery required a cave entrance. As the performances were held during the day, no artificial lighting was necessary, although there were various sound effects used, such as metallic containers full of water to increase the volume of the speeches, and pebbles were shaken around in bronze jars to sound like thunder. The technicians who wielded these vessels would either stand behind the scenery or along the sides of the platform, in the side-wings. In the stage building behind the platform, there were areas where the actors changed their masks and costumes and where these props were kept after the performance.

The architecture of the theatre was perfected in the 4th century, the primary example being that of Epidaurus. But all around the Mediterranean, theatres of all sizes bring back echoes of ancient Greece.

In neighbouring Rome, performances of drama began in the middle of the 3rd century at the Hippodrome, on movable platforms. Stern Roman senators were not particularly fond of free-thinking Greek plays, and thus the building of permanent theatres was expressly forbidden, until Pompey visited Mytilene and was so impressed by its stone theatre that he built a similar one in Rome in 55 BC. But the all- powerful Senate forbade the building of seats, and for this reason the first spectators had to bring their own chairs. During the years that followed, given the influence of Hellenic education on Roman society, many theatres were built which differ in many ways from those of Greece.

In Roman theatres, the auditorium covered only half of a circle and the rows of permanent seats were initially intended only for senators. Later other rows of seats were added for minor notables, even though social differences were very strict. The upper sections filled with crowds. Above the last row of seats there was a covered portico around the entire semi-circle. The seats were raised well above the orchestra, since this area was frequently flooded with water for the presentation of mock naval battles, as Roman spectacles were gradually replacing classical Greek works of philosophical simplicity.

Another innovation was that in the place of the ancient Greek side entrances, boxes were built for the emperor on one side and the Vestal Virgins on the other. At the end of the performance, the curtain would fall between these boxes. But the stage, too, differed from the Greek shape, because Roman presentations needed more space to accommodate those taking part in the pantomimes and grandiose plays with large casts. In Rome, the wooden scenes of the Greek theatre became a three storey wall, with openings and niches for statues, the height of which was the same as the height of the portico above the last series of seats in the auditorium. This feature made it easier to install a movable covering and machinery to spray perfumed water to refresh the public on hot days.

The spectators enjoyed the performances free of charge, as part of the infallible "bread and circuses" measures for controlling the crowds. But in the harsh Roman society, where circuses were stronger than bread, the public preference always lay in the amphitheatres, in the oval arena where combats with wild beasts and doomed gladiators prevailed.

Astor Hotel, Esperia Palace and Plaka Hotel are great Athens Hotels.




Hello everybody! I am really happy to be here sharing my experiences with you and learning things that I didn't know about. I hope you enjoy reading my articles as much as I enjoy reading yours!

Friday, 6 August 2010

Hammam (Persian Bath)

A bath in 4x5x4 dimensions, with 5 different functional spaces: the central space (bath) with 6 columns and persian arcs and a modern dome, Bar, relax room with a plasma TV, and services. The progect has based on a research of the ancient and modern persian baths. I believe that we have lost our architecting since last years of Qajari dinasty. We are just immitating the wetern modernism period in architecting and interior design. I absolutely against using the ethnic furniture to creat an ethnic interior. As you seen, in this virtual project, I have use even "Ionic greek capitals", but the space is persian. The persian caliagraphy is not a forniture, its form help me to emphacide on the curves of the arcs. Today persian architects or designers should know the persian architecture as well as modern western architecting, and try to use only modern technology and scince of structures, not froms and concepts. Project rendering and video : Farzad Shojaei

Thursday, 5 August 2010

Home Furniture Collection


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A pleasant look inside our homes is what we always want. In our living room, we want everything to look good. Same thing goes with our bedroom and dining room. For each room or the entire home we have a theme. There are several designs to choose from. There are people who love to have Hekman or classic furniture. All will depend on what we really like the most. Here's the list of some Hekman furniture:

Castilian Collection
Spanish history is what Castilian collection symbolizes. White mahogany and teak is usually what this furniture is made of. Applying bee's wax is for the final touch. Each piece is work-of-art to consider like bed, table and chest. Usually, this is seen in elegant manor houses but we may now apply this on our home.

Copley Square Collection
Copley Square is considered one of the finest and popular by the experts. These beautifully created pieces are made of dyewood, tulipwood, ebony and mahogany usually. Due to its verified artistry and craftsmanship of each piece this theme is exceptional.

Loire Valley Collection
This theme is constantly judged as legendary, indulgent and poetic. The inspiration of this theme is the landscapes of Loire Valley. Abundant in architecture and provides pleasure of comfortable lifestyle, this is the purpose of this classic theme. All for the tribute of Loire Valley, each carvings and finishing touches are all blended harmoniously.

Maison de Provence Collection
This theme is done considering this French words: "joie de vivre" which means the joy of living. It was a theme motivated for Provence. Somewhat this classic furniture theme is your passport to "joie de vivre".

Metropolis Collection
Sophisticated, this is how the experts consider this Hekman furniture. This theme is often considered an absolute feast for the eyes. It can also be considered as new traditional. This theme is Hekman at its finest.

Mountain Retreat Collection
Usually the materials of this theme is knotty birch solids and knotty rogue-cherry veneers. The finishing touch for the pieces are rubbed with a golden oil to attain the Indian Summer color then applying bee's wax achieves a deep-rich patina.

Repertory Collection
Remarks for this theme is often taking classic to a new stage. Empire and Neoclassical is the type of furnishings. It replicates the designs before in Greek and Roman archeological excavations during the reigns of Napoleon I.




Hekman masterfully included this classic theme into furniture that possesses the ancient history that will remind us today.

Hekmanfurnitureonline.com is a site where you can find the best source for and a large selection of high quality Hekman furniture.

Tuesday, 3 August 2010

Hagia Sophia .wmv

The video is a bit long and i arranged it so slow in order to emphasize the mood of the song. And this song was about 8 minutes and i didnt want to cut the music in the middle. The music belongs to Tuluyhan Uğurlu, a great artist, a Turkish composer. And all the photos belong to me, Emre Ucar. Hagia Sophia (Turkish: Ayasofya, from the Greek: Ἁγία Σοφία, "Holy Wisdom"; Latin: Sancta Sophia or Sancta Sapientia) is a former Orthodox patriarchal basilica, later a mosque, now a museum in Istanbul, Turkey. Famous in particular for its massive dome, it is considered the epitome of Byzantine architecture and to have "changed the history of architecture."[1] It was the largest cathedral in the world for nearly a thousand years, until the completion of the Seville Cathedral in 1520. The current building was originally constructed as a church between 532 and 537 AD on the orders of the Byzantine Emperor Justinian, and was in fact the third Church of the Holy Wisdom to occupy the site (the previous two had both been destroyed by riots). It was designed by two architects, Isidore of Miletus and Anthemius of Tralles. The Church contained a large collection of holy relics and featured, among other things, a 15m (49 foot) silver iconostasis. It was the seat of the Patriarch of Constantinople and the religious focal point of the Eastern Orthodox Church for nearly one thousand years. It was the church in which Cardinal Humbert marched up to the altar and excommunicated Cerularius, marking ...

Monday, 2 August 2010

Athens Acropolis - The Most Famous Ancient Site in Greece


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The word Acropolis in the ancient times actually meant the highest point of the town. The ancient Greeks used to build their towns in plains near or around a rocky hill that could enable them to fortify and defend it during invasion or wars. The word Acropolis refers to both the hill and the construction built on it. It served in many cases as the residential place of the ruler, a religious centre, the centre of public life and also a place of refuge for the citizens.

The Acropolis of Athens Greece, also known as the Sacred Rock, is one of the oldest monuments in Europe. This rock was first inhabited in the Neolithic Era, as archaeologists have found some remains of its early inhabitants. However, it is during the 5th century B.C., also known as the Golden Age of Athens, that Acropolis flourished and sacred monuments were built on it. Pericles, who was a famous Athenian statesman at that time, had the original idea for these constructions. He put Phedias, a talented sculptor, and Ictinus and Callicrates, who were architects, in charge to make Athens Acropolis the best monument in Greece, as he had imagined it.

Acropolis was built on a limestone hill that rises about 150 meters above sea level. It consisted of the Parthenon, a magnificent temple dedicated to Goddess Athena, the protector of the town; Propylaea, a monumental marble gateway and entrance to the Acropolis; Erechtheum, a temple famous for the perfection of its details; and the Temple of Athena Nike, built to honor the goddess who brought so many victories to the town.

The Propylaea was designed by the Greek architect, Mnesicles. It is a monumental gateway and the main entrance to the Acropolis, made up of white marble. It has a central section with wide openings and two wings. The central section consists of six columns.

The Temple of Athena Nike was designed by Greek architect Callicrates. It is located just outside Propylaea and constitutes the first building which the visitors come across as they make their way to the Acropolis. There are four Ionic columns that stand in a row at the front and back of the temple. A carved frieze just below the roof depicts the conference of the Gods on the east side and battle scenes from Greek mythology on the other sides.

Parthenon is a large temple built entirely of marble from mount Pentelikon by architects Ictinus and Callicrates. This temple is considered as the greatest masterpiece of ancient Greek architecture. It was built in the Doric and Ionic styles with eight columns along each end and seventeen columns along each side. It once housed the thirty-three feet tall statue of Athena made of ivory and gold by sculptor Phedias. The friezes around the roof of Parthenon used to depict various scenes of Greek mythology, such as the birth of goddess Athena and the contest between Athena and Poseidon for the rule over the city, as well as scenes from Panathinea festival, the greatest festival in ancient Athens. These friezes are now hosted in the British Museum and the Greek government is doing much effort to get them back.

The Erechtheum was designed by Mnesicles. This temple got its name from Erechtheus, who was considered as a hero in Greek mythology. On the southern side of the temple, the statues of Kariatides are seen, used as columns and carved in the shape of female figures.

With the passage of time, natural degradation along with human interference affected the Acropolis. When Christianity was introduced in ancient Greece, many of these monuments were converted to churches. In the Medieval period, these structures were turned into headquarters of foreign rulers. Athens was ravaged by many wars and invasions and attacks on monumental structures like the Acropolis led to tragic damages.

In September 1687, the Acropolis suffered its greatest damage. A siege was led by the Venetians towards the Turks for the conquest of the town. The Turks had turned Parthenon into gunpowder storage and a Venetian bomb that hit directly Parthenon caused the gunpowder to explode and to destroy most part of the temple.

Moreover, in the early 19th century, Parthenon lost its amazing friezes when lord Elgin took them, with the permission of the then Turkish government. These friezes are known since then as the Elgin Marbles and the Greek government has started a great effort to get these friezes back and host them in the New Acropolis Museum that is being built right across the ancient site.

In the 20th century, a building program started so that all monuments of the Rock of the Acropolis will be restored. Restoration works are carried on till today. The high goal of this effort is to make the Acropolis as glorious as it was in the ancient times.




See more Athens Ancient Sites and book your Athens Hotel

Sunday, 1 August 2010

Sinasos (Mustafapaşa) 7/9 - Yaşayan Tarih Kanal B

Sinasos Yapım: Ayşe Öksüz Kanal B Turkiye Kamera: Yusuf Türker Kurgu: Nisa Kasapoğlu Mustafapaşa eski adıyla Sinasos Nevşehir'de Ürgüp'e bağlı kasaba. Kapadokya'nın önemli turizm merkezlerinden biridir. Ürgüp'e 5 km. uzaklıktadır. Mübadeleye kadar Rumların, Ortodoks Türkler olan Karamanlılar'ın ve Müslüman Türkler'in birlikte yaşadığı bir Orta Anadolu kasabası, eski Rum evleri oldukça zengin taş işçiliği ve freskolar arz eder. Batısında Gömede Vadisi oyma kiliselere, barınaklara ve vadinin içinden geçen bir dereye sahiptir. Mustafapaşadaki önemli kilise ve manastırlar; Aios Vasilios Kilisesi, Konstantin-Heleni Kilisesi, Manastır Vadisi Kiliseleri ve Gömede Vadisinde Alakara Kilise ve Aziz Basil Şapeli Kilisesidir. Ayrıca Osmanlı Dönemide inşa edilmiş güzel taş ve ağaç işçiliği gösteren bir de kervansaray bulunmaktadır.