Wednesday 29 September 2010

The City of Malaga


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Any overview of Malaga cannot be considered complete until it has thorough information with regards to its rich past. A large number of places to visit and activities to be planned need to be on your holiday menu while you visit Costa del sol and Malaga. No tourist would get disappointed from his visit here as it houses a large number of shopping markets, museums, affordable and luxurious hotels. Malaga has all those things tourists really long for.

About the history of Malaga

Malaga was once a city where Moors used to live. At present it is the trade center of Iberian Peninsula. Numerous symbols of the victory of Queen Isabella and King Ferdinand along with several popular forts; testifies the presence of Moors in Malaga in the past. Though it was constructed in 1497, it stands as a mighty city even today. All over the city, one can observe Christian Gothic and arabesque architecture accompanied by Greek, Phoenician and Roman art. This unique combination of styles has made Malaga even more luring for the tourists.

Reaching the city of Malaga

It is not an issue to travel to Malaga. You can reach here through air by local airport, which is at a distance of eight kilometers from the city center. The airport remains busy as it is the travel center for Costa del Sol. Car and bus services are available 24 hours for reaching to the city. Flights from sixty countries depart and arrive at this airport on daily basis. The highways of this city connect it smoothly to various other cities.

What all you should see in Malaga?

Cathedrals and churches are expected to found all over the Europe. Malaga has numerous religious buildings to watch. You should watch the Cathedral built in 15th century which stands on the area where there was a mosque once. Real layout pans suggest that two towers were planned for the cathedral but because of lack of funds only one tower was built. Castelo de Gibralfaro, which is the house of popular 3 month siege lead by Queen Isabella and King Ferdinand; attracts a large number of tourist with historical and architectural interest. In 1300, it used to fulfill the purpose of a light house.

In order to sneak a peek in to the famous works of the great artist Pablo Picasso, you should visit the museum which treasures his art work.

Nightlife and Shopping in Malaga

Nobody likes to travel without any shopping. You should take some cash with you for buying a few things worth buying in Calle Marques De Larios. In this street, you will find the best boutiques. By visiting Plaza De Constitucion, you would be able to get various goods at reasonable prices.

There are various night spots in Malaga where you can groove and enjoy yourself. You can go to different bars with different genres of music like Jazz, Flamenco etc.

Accommodation in Malaga

From large all inclusive hotels, private villas in Spain to rent to small bed and breakfast, Malaga being one of the most popular destinations in Spain has many places to stay. In the summer months the city and province becomes extremely busy with tourists so if you are traveling during this period, book ahead.

Malaga has a lot to offer for every tourist.




For accommodation throughout Spain visit http://www.choosespain.com

Tuesday 28 September 2010

The Wonder of Mykonos

Mykonos is a grand example of unique Cycladic architecture set around a picturesque fishing-village bay. Totally whitewashed organic cube-like buildings fit closely together to form a kind of labyrinth of narrow alleyways and streets. Its many well-preserved windmills and tiny red-roofed churches add a flavor of culture and custom to the scene, enhanced even further by many museums and the historical ancient site of Delos. You will get a generous taste of Greek hospitality here. Its no wonder why Mykonos has been often called "the jewel" of the Aegean Sea.

Monday 27 September 2010

The Seven Wonders of Ukraine


Image : http://www.flickr.com


In the summer of 2007, the citizens of Ukraine were asked to participate in a unique selection process. They had the opportunity to vote for their seven favorite historical and cultural sites in the country. A board of officials made up an initial list of a thousand candidates, and then narrowed it down to 21. From those 21the voters would elect seven sites that would be the official Seven Wonders of Ukraine.

The Seven Wonders of Ukraine are scattered around the country. Most Western visitors who want to see them will first have to travel to Kiev, the nation's capital and the main Ukrainian destination for most Western airlines. From your accommodations in Kiev you will easily be able to travel around the country.

The first Wonder of Ukraine is Sofiyvsky Park in Uman. This masterpiece of landscaping was founded in 1796 by a Polish nobleman who had it created to honor his beloved Greek wife, Sophie. With its waterfalls, ponds, fountains and gardens, the park blends Italian baroque and English styles, and leaves some areas in their natural state. Many legends are attached to this park.

Next is the Kiev Pecheresk Lavra, an 11th century monastery that incorporates a series of caves in its complex. It includes the underground Church of the Nativity of the Virgin. Among several museums on the site are the Museum of Traditional Decorative Art, and the Museum of Historical Treasures.

The third Wonder, the Kamyanets-Podilsky Historical Complex, is an 11th century fortified town built on a rock in the Smotrych River. It is guarded by a magnificent 16th century castle. Included in the complex are an Ethnographical Museum, two churches, and an 18th century triumphal gate.

Number four is Great Khortytsia Island in the Dnieper River. This island has been inhabited for at least 5,000 years. It was once a major link in the trade route between Kiev and Constantinople. In the 16th century Khortytsia became a Cossack military stronghold. The island is a national park, and has the Zaporozhian Cossack Museum.

Next is Chersonesos, the ruins of an ancient Greek colony on the Crimean Peninsula. This site overlooks the Black Sea, and was one of several Greek colonies in the region. Visitors can see the remains of an amphitheatre, a temple, defensive walls, towers, and other buildings.

Wonder number six is Saint Sophia Cathedral in Kiev. This Greek Orthodox church dates back to the 14th century and took twenty years to build. It is considered to be one of the marvels of Ukrainian baroque architecture. The church was named after the Hagia Sophia in Constantinople.

Finally there is the legendary Khotyn Fortress of Prince Vladimir the Great, one of Ukraine's most revered heroes. Dating back to the 10th century, this classic example of a medieval castle is the center of many legends.

You will find more information on these sites in your Kiev hotel. Remember that you don't have to stay in costly Kiev hotels. Check agencies for affordable Kiev apartments.




Vlad Kogan

Looking to find the best deal on Kiev apartment, then visit http://www.kievapartmentrent.com to find the best advice on staying in Kiev apartment during your trip as well as taking advantage of the services of Kiev Apartment Rent you might require if you are looking forward to show up in Kiev for the EURO 2012.

Sunday 26 September 2010

Exterior Architectural Moldings - How to Pick Your Window Trim and Wall Designs


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Looking through a company's set of profiles you may be overwhelmed by the number of choices, and how similar each individual profile looks. At first glance, they do all seem to resemble one another, and it may lead you to thinking that you can pick any profile and stick it anywhere. Well, you can. But before you and your spouse decide to throw bar darts at the printed selection to decide which ones you'll use, read through this and you'll likely re-think, or atleast narrow your choices.

Cornices (also known as Crown Moldings) are usually placed at the intersection of soffits and walls. They provide a "finish" to the top of your wall and can make an otherwise boring-looking corner a focal point. More often they are larger at the top than bottom to give a tapered look.

Bands are the "chameleons" of moldings. They can be used almost anywhere, but work particularly well in the middle of walls so as to "break" the wall, or along the underside of building joints to mask their presence.

Headers are placed over the top of windows or doors and give them a sturdy sort of look. Often, they are larger and/or a different profile than the trims that run along-side the windows. Some may also contain a drip edge, which is an indent in the bottom of the molding to prevent water from running into the window joint. This helps to prevent water from infiltrating into your home through the window joint (but is not a solution to an improperly installed window!) and causing moisture damage. When compared to Trims and Sills, they protrude furthers and are in between in width.

Trims are used around windows or doors as a surround, or in a similar fashion to bands (the two terms are sometimes used interchangeably). They may run the entire perimeter of the window to give it a simple, clean look, or more commonly just between the Header and the Sill. They are usually flatter and narrower than Headers or Sills.

Sills are specifically designed for the base of windows, to help manage precipitation (such as snow) and protect themselves. When selecting sills in particular, it is prudent to ensure the profile has been designed according to EIFS Council recommendations; that is: "EIFS trim projecting out from the wall's vertical plane should be sloped a minimum rise over run of 6:12 for drainage (ASTM C1397, Standard Practice for Application of Class PB EIFS). The length of the slope must not exceed 300 mm, according to most EIFS manufacturer's specifications." This is particularly useful to note as most manufacturers do not comply with this recommendation. Sills are typically largest in size and protrude from the wall somewhere between Headers and Trims.

Stone Sills meant as a replacement for expensive, heavy concrete sills. Due to EIFS innovation, mouldings can be made which look like stone, but at 10% the weight (and sometimes cost!). Due to the manufacturing process, they can also be made in longer pieces which makes installation cheaper and easier. Architectural moldings may also be finished at the joints much nicer than concrete, to the point you can't even tell they're seperate pieces. Did I mention they're less expensive?

Baseboards may be placed along the termination of the EIFS (which should be well above grade [ground level]). Similar to Cornices, they provide a termination to the EIFS system and hide what may otherwise be an unsightly ending. With the right profile (projecting out from the building, with a drip edge), you may also help divert water away from the foundation of your house.

Pilasters may look like columns embedded in the wall, but are nothing more than vertical mouldings with caps and bases. They are popular at wall corners or at intervals along the wall to provide an illusion of "sturdiness" and are often associated with lavish Greek architecture.

Columns are designed to fit around structural poles and posts. They don't do anything in the way of structural support so don't think they're going to hold up the roof over your head, but adding them will certainly make your home more impressive.

Quoins have become so commonplace on houses, it has become fashionable to add them without them serving any real purpose. Quoins will add an air of elegant design to your house by making it look better planned and sturdier.

Keystones may have been the key to holding up bridges and windows in the past, but serve more of a design purpose now than a structural one. Like Quoins, they have become commonplace in modern architecture and serve as a focal point for windows, doors and garages.

As you can see, your selection of moulding will not cause your home to either stand or fall, but can serve important design roles and should be used with a purpose in mind. In the end, it comes down to your own personal taste and what will accomplish the look you want. Don't be afraid to ask for a picture of a previous job with your moulding or 3D rendering on your selection if you are at all unsure of what the finished product will look like. No matter what you decide to go with though, adding exterior architectural mouldings to your home will bolster the essential first impression visitors and potential buyers get of your home.




Jim Schwarznoff is a Construction Project Management student with an emphasis on the building envelope and exterior design. To see some examples of the moldings described in this article or more information on architectural moldings visit http://www.decoramould.com

Saturday 25 September 2010

D. Scarlatti: Harpsichord Sonata L483 Gregoriadou double-course guitar

Smaro Gregoriadou transcribed and interprets Harpsichord Sonata L483 by D. Scarlatti (1685-1757) on a high-tuned double-course guitar tuned in octaves, representing Kertsopoulos Aesthetics*. Live concert in Athens (Attikon Conservatory Concert Hall, 12/4/08). For further acqaintance with these extraordinary novelties in guitar's sound, please visit Smaro's new CD release: Reinventing Guitar, by DELOS INTERNATIONAL. *KERTSOPOULOS AESTHETICS: Guitars, strings, acoustic applications of evolved specifications, a 30-year research on history and æsthetics of guitar, accomplished by Greek guitarist-maker Yorgos Kertsopoulos and involving numerous suggestions on interpretation of old and new guitar repertoire, as well as transcriptions from other instruments to guitar. Since Æsthetics' first presentation in Athens, 1994, by their inventor, numerous astonishing innovations have enriched inventive guitarist's sound, recreating 500-years of beautiful guitar tradition: high-pitched, transitive and re-entrant tunings up an octave higher than the ordinary, double and triple-course stringing, tone-colour's diversity, access to unexplored tonalities, pedal mechanisms! HISTORIC EVIDENCE: In 1948 Andres Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and guitarists of such a worldwide prestige such as Julian Bream, John Williams, Alirio Diaz, Abel Carlevaro, Dimitri Fampas, Gerasimos Miliaresis ...

Friday 24 September 2010

Medieval Castles - An Essay


Image : http://www.flickr.com


Castles remind us of a time that was full of adventure and romance. Castles remind us of a time in history in which there was a lack of government and order. Although there was not mass confusion and anarchy, there was less order. Castles were the basis of feudalism. Castles can be seen as a manifestation of feudal society. Feudalism started with the rise of castles and ended with their end. The castle set the tone as the only homestead that nobility would live in during this time. Castles were influenced by and influenced many medieval cathedrals in Europe. Although castles served many purposes, their primary purpose was military. At that time, people were not protected by merely shutting and locking a regular wooden door. They needed the protection of castles and their knights. The lords and constables of castles needed serfs to work the land to make revenue in order to pay rent to the more important nobles. Given the following evidence, it is relatively obvious why castles and castle building played an instrumental role in the development of Western Europe.

Castles are unique to a time in history known as medieval times. The word medieval in our times is an insult to anything as is the word feudal. Through the haze and ruins, one can imagine dungeons, chivalrous knights, and mighty Lords who ruled the land and protected the common peasant from barbarians and other invaders. The rise of castles marked the rise of feudalism. This was all started by the crusades. The majority of the knights and nobles went to liberate the holy land from the Muslims. The Crusades influenced castle builders back in Europe. Ideas were gathered from Muslim and Byzantine fortifications. Because of the lack of protection in Europe, a castle's strength needed to be increased because of the ever-present threat of a Muslim invasion. The end of Feudalism also marked the end of the middle ages and hence the end of the great castle era.

Castles integrated the combination of residence and fortress. The first castle dates back to King Sargon II of Khorsabad in ancient Egypt. He erected a grand palace for himself to protect him and his subjects. The first recorded references to castles was the Edict of Pistes by Charles the Bald, king of the West Franks. "We will and expressly command that whoever at this time has made castles and fortifications and enclosures without our out permission shall have them demolished by the First of August" (Brown Architecture of Castles 13). Other castle laws were the Norman Institutions handed down by William the Conqueror after he took over England. One law says that no one shall raise castles in Normandy without the Duke's license.

An ideal castle site was one that had natural obstacles for defense such as steep hillsides and water. Castles that were built on rocks or islands were especially effective. An example of this is Bodiam in Sussex which was the home of Sir Edward Dalyngrigge in 1385. A moat offered good protection, but building on a lake or river offered better protection. The site should not be too remote. It should have water and building material readily available nearby. A site should have a good climate, good pasture, and ample fertile land. If a castle had all these things, it would increase its chances of surviving a siege.

A large majority of early castles followed the motte and bailey design. These designs utilized earth and timber. A motte and bailey design is a design where the keep is on a hill or motte behind the bailey which is the open area of the castle similar to a town square. A bridge usually connected the motte to the bailey. The motte was a great mound of earth or rock. Sometimes it was artificial, but the majority of the time it was authentic. At its base there was a deep trench that resembled a moat. This was used as defense. Surrounding the motte was a wall of timber. The motte also contained the keep which is where the lord of the manor and his family lived. The keep was the innermost part of the castle. It was the last defense against attack. The keep has also been referred to as the donjon. This is where the French got the word dungeon meaning the jail or place to hold prisoners. Surrounding the entire premises was a wooden fence that was at least ten feet in height. These wooden stakes were then implanted in the ground for support. The fence sometimes stood upon posts to allow men to get through. During a siege, the perimeter would be covered with wet animal skins to curb the threat of arson. Most motte and bailey castles were built before William the Conqueror's conquest in 1066.

Walter the Archdeacon wrote a biography of John, bishop of Therouanne about 1130. In it he describes Merchem Castle near Dixmude: "There was, near the porch of the church, a fortress which we may call a castle... exceedingly high, built after the custom of that land by the lord of the town many years before. For it is the habit of the magnates and nobles of those parts... to raise a mound of earth as high as they can and surround it with a ditch as broad as possible. The top of this mound they completely enclose with a palisade of hewn logs bound close together like a wall, with towers set in its circuit so far as the site permits. In the middle of the space within the palisade they build a residence, or, dominating everything, keep" (Brown Architecture of Castles 21)

Castle designers saw a need for improvement because wood and earth were not strong and were not effective protection against fire. There was also a need for bigger, grander castles because noble visitors did not travel alone so a castle would have to have enough room for the occasional visitor and his or her group. The architects who designed castles were known as master masons. They saw that stone would be a more effective building material. Although it was cold and hard to work with, it provided the much needed protection against fire. These newer castles are called enclosure castles. Like motte and dailey designs, enclosures castles had a wall protecting the perimeter of the manor. However these castles were not built upon hills or mottes. The keep of the castle was incorporated into the wall surrounding the property. These castles still had a bailey. With this new style of castles came a new construction material. Stone became the only material to build one's castle out of because it made castles much stronger against attack. The tower of London is an example of a masonry castle. The ideal stone for castles was the fine limestone of Caen in Normandy. This limestone was soft when first quarried, but gradually became hard as it was exposed to air. To insulate against the cold stone walls of castles, the women made tapestries for the walls. The tapestries almost always contained a story relating to the castle. One of the most famous tapestries is the Bayeux Tapestry. It depicts the Norman knights before Hastings in 1066. Since they were now using stone, castle builders were able to integrate defenses into the castles.

Castles needed to have defenses. They were not made impregnable. They were made so that it would take an enormous amount of artillery and money to take the castle. They were made so that it would take a large amount of time to take a castle. The castle of Newcastle at Tyne was far from impregnable in 1173, but it was strong enough to make an ill-prepared Scottish King William think twice about a siege: "Well sees the king of Scotland that he will never complete the conquest of Newcastle on Tyne without military engines" (Ibid 80). Some defenses used by castles were machiolations. Machiolations were projecting battlements to protect against arrows and other weapons. They were at the top of the wall surrounding the castle. Arrowslits or arrow loops were slits that were cut into stone to allow sharpshooters a place to shoot. They were angled so that the sharpshooter was protected from oncoming projectiles. Another defense used was Greek fire. This was an incendiary device that was used against wooden attack machines. The ingredients of Greek fire are a mystery. It is thought that it contained some of the following components: crude oil, refined oil, naphtha, pitch, resin, sulfur, quicklime, and bitumen. This deadly mixture was put on an arrow and then shot onto one of the attacking machines and it gave explosive results. Greek fire was probably developed in the seventh century by the Byzantines for naval warfare. Greek fire was a morale builder for the defenders during a siege. The Lord of Joinville described Greek fire as "This Greek fire was suck that seen from the front as it darted towards us it appeared as large as a vessel of verjuice, and the tail of the fire that streamed behind it was as long as the shaft of a great lance. The noise it made in coming was like that of a thunderbolt falling from the skies; it seemed like a dragon flying through the air. The light this huge, flaming mass shed all around it was so bright that you could see right through the camp as clearly as if it were day. Three times that night the enemy slung Greek fire at us from their petraries, and three times they shot it from their arbalestres a tour" (Ibid 88).

Weapons were used against castles during a siege included the trebuchet, mangonel, belfry, ballista, ram, and bore. The trebuchet was a big machine that flung artillery like a catapult. The mangonel was similar to the trebuchet but smaller and more maneuverable. Its strength was based on the tautness of the hemp, rope, or tightly twisted animal sinew. Artillery used by these weapons include rocks, fireballs, and dead animals to spread disease. The belfry was a mobile tower which was built higher than the castle walls in order to scale them during siege. The ballista was essentially a large crossbow that hurled rocks and other large boulders. The ram was a device that did what its name says. It was used to knock the portcullis or gate down. The bore was a device used by the attackers during a tactic known as mining. They mined from their camps to the castle walls. They would set up a support then start a fire to break down the castle walls. The defenders of the castle also used this tactic to counter the attackers siege. They would watch the moat to see the vibrations caused by the attackers shovels. Then they would start a counter mine. This was the most effective tactic used in a siege but it was the most dangerous. It was dark, had contaminated or little air and there was always a threat that the tunnel would cave in or be caved in by the castle's garrison.

Castles were not just fortresses but also residences of the nobility. It is this balance of military and residential qualities which make a castle so different from other fortifications. Castles had all the best furnishings and colors. They had chapels because Europe was a Christian continent. They occasionally had more than one. On the castle property were things like gardens, parks, vineyards, dovecotes, fishponds, mills, and stables. Castle were not as primitive as we think them to be. They had some of the conveniences that we have today. They had a form of a toilet. It was a toilet made of stone. People who wished to use it had to bring some material to protect themselves from the cold stone. The waste would eventually drain to a river by way of an underground pool. These cesspits would often have to be cleaned out by dung farmers.

Not all castles were extravagant fortresses that housed kings and all his subjects. Many castles were just built for the lord, his family and a few servants. Other castles that were not well protected or had no threat of attack were called fortified manors. The design of a castle was taken very seriously by the lords. There is reference to Aubree, wife of the Count of Bayeux, executing on the spot, Lanfred, her master mason after he completed her castle. She did this because she was so pleased with it that she didn't want him to build one like it for anyone else.

Castles were the basis of feudalism. They controlled the land and all within it. A castle was a lord's response to a mounted cavalry charge. Castles were effective centers of military power and territorial lordship whether or not the king or prince was there. Castles are an important part to history. They are phenomenal structures that still influence modern houses today.




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Thursday 23 September 2010

NOVA | NOVA Short | Optical Tricks of the Parthenon

Ancient Greek architects were on to something when they built the Parthenon with subtle curves and no right angles. While it remains debatable, some scholars argue that these features were intended to counter the brain's tendency to see optical illusions. www.pbs.org Watch "Secrets of the Parthenon" Tuesday, January 29 at 8pm ET/PT on PBS (check local listings). Or join us online at pbs.org "Secrets of the Parthenon" is a Providence Pictures production for NOVA and WGBH Boston in association with Studio International and ARTE France. Funding for NOVA is provided by David H. Koch, the Howard Hughes Medical Institute, the Corporation for Public Broadcasting, and public television viewers. Additional funding for "Secrets of the Parthenon" is provided by The Solow Art and Architecture Foundation. To learn more, visit www.pbs.org

Wednesday 22 September 2010

Organic Architecture


Image : http://www.flickr.com


What is Organic Architecture?

The term "Organic Architecture" was invented by the great architect, Frank Lloyd Wright (1867-1959). An architecture idea which promotes harmony between man-made structure and the nature around, through design approach so well integrated that the buildings and surroundings become part of a unified & interrelated composition

Objectives

Organic architecture not only addresses environmental concerns but also expresses individuality. As each building is related to the variables like man, site & time so every resulting structure is unique & unrepeatable.

Origin & Inspiration

Primitive vernacular architecture was innately organic, based on natural forms, structures and simple, local materials. The rectilinear, perpendicular form of architecture that came to dominate the 20th century was the reflection of an industrially driven age. However In the new millennium the designers are awakening to a new world inspired by the creative forces of nature and biological organisms.

It was in the USA that organic architecture began its great modern journey when Architect Louis Sullivan described his famous proverb that form follows function--a key concept for organic design. Frank Lloyd Wright would often choose sites close to woods, rock formations, or even waterfalls and his buildings would become part of nature. For Antoni Gaudí, Spanish architect the straight line belonged to men and the curved line to God.

Characteristics

- The design approach is inspired by nature & the built form grows out of the site, emerging like an organism from the seed of the nature.
- It is visually poetic, radical in design, multifaceted & surprising, distinctive but flexible & environmentally conscious.
- Organic architecture is said to be the mother of all architecture- sustainable or bio architecture, alternative architecture or any other.
Some examples of this movement are: Kaufman Residence 'Falling Water' (Pennsylvania), Sydney Opera House (Sydney), Casa Mila (Barcelona), Lotus Temple (New Delhi).

Approach

- A respect for natural materials (wood should look like wood)
- Blend into the surroundings (a house should look part of the hill, not perched on it)
- An honest expression of the function of the building (don't make a bank look like a Greek temple).

Exploring Organic Architecture

New age, architects have taken the concept of organic design to new heights by employing newer materials & technology in the application of natural shapes, rhythm & composition to their buildings. The re-emergence of organic design represents a new freedom of thought. This is affecting most fields of design- products, furniture, lighting, textile design, architecture, landscape and interior design. More liberated and imaginative forms, unacceptable to major corporate clients a few years ago, are now being encouraged & accepted.

Inference

Rectilinear buildings are not ideal "green" buildings if they work against the dynamics of fluids, heat, light, sound, and force. The buildings need to work with nature and allow optimum shapes and forms to be developed that are more efficient, economic, and appropriate to local climate and environmental conditions. With continuous expansion of cities, there is a growing lack of interaction between, man & nature. Organic structures with free flowing & curvilinear organic forms inspired by nature can fill in this void enhancing the city spaces aesthetically, spiritually & with the spirit of pursuit & marvel.

Concerns

Organic or sustainable architecture is evolving fast, but there is a risk of it becoming a superficial statement engrossed in high-tech science and technology & organic forms being superimposed from the outside rather than evolving like life from within. We need to learn to use natural forms & materials from observing living forms & creatures which are the very forms of life and growth that inspires organic architecture.



Tuesday 21 September 2010

Hometown Boy: Honoring an Emperor's Roots in Roman North Africa part 2

Roman Architecture Professor Kleiner discusses two Roman cities in North Africa: Timgad and Leptis Magna. Timgad was created as an entirely new colony for Roman army veterans by Trajan in AD 100, and designed all at once as an ideal castrum plan. Leptis Magna, conversely, grew more gradually from its Carthaginian roots, experiencing significant Roman development under Augustus and Hadrian. Septimius Severus, the first Roman emperor from North Africa, was born at Leptis and his hometown was renovated in connection with his historic visit to the city. This large-scale program of architectural expansion features the Severan Forum and Basilica and the nearby Arch of Septimius Severus, a tetrapylon or four-sided arch located at the crossing of two major streets. The lecture culminates with the unique Hunting Baths, a late second or early third-century structure built for a group of entrepreneurs who supplied exotic animals to Rome's amphitheaters. Its intimate vaulted spaces are revealed on the outside of the building and silhouetted picturesquely against the sea, suggesting that the bath's owners knew how to innovate through concrete architecture and how to enjoy life.

Monday 20 September 2010

Cruise on the Mediterranean Sea and Visit Italy, France, Spain, and Greece


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There isn't anywhere else on the planet where you can sample as many exotic flavors, cultures and historic sites as you can on a Mediterranean Sea cruise. Exploring this region on cruises entails visits to Italy, France, Spain, and Greece. You will experience all of the amazing scenery and rich cultures during a holiday on the Mediterranean.

When one cruises the Mediterranean, one wakes up in a new world each and every morning and relaxes in the comfort of one's very own floating resort with all of the accommodations, meals, and most entertainment already taken care of. The best season for Mediterranean cruises is between April and October, although there are still cruise ships that sail all year long. When and where you go is really all up to you.

Mediterranean Cruise Ports

Several cruises from Athens will sail around the Greek Islands and the Mediterranean Sea. You can opt to take a small luxury cruise ship to many beautiful islands or a large ship to the famous cities in Italy and France. A cruise around the Greek Isles is a wonderful opportunity to enjoy all of the awesome natural beauty and the very lively nightlife.

Over one million passengers a year will take Barcelona cruises in Spain. This city's amazing food, shopping, nightlife, and architecture create an ideal port of departure. Cruises from Barcelona can go everywhere around the Mediterranean, and all the popular cruise lines will sail from here.

There are 3 luxury cruise lines that offer Mediterranean cruises from Monte Carlo, which is located between the Mediterranean and the Alps. It is located on the scenic Cote d'Azur, whose natural beauty is embellished by all of the yachts and finery of the French Riviera's rich and famous denizens.




To learn everything you need to know about western Mediterranean cruises visit http://WesternMediterraneanCruises.net to find out more about Mediterranean cruises of all kinds, including many European destinations.

Sunday 19 September 2010

LUTE SUITE BWV995(3)-BACH-GREGORIADOU-GUITAR

JSBACH, GAVOTTES I,II,I-GIGUE FROM LUTE SUITE BWV995:Originally for lute & cello, suite BWV995 by JS Bach is transcribed and interpreted by Smaro Gregoriadou on a triple-double-single stringed guitar in re-entrant tuning (WORLD PREMIERE), representing Kertsopoulos Aesthetics*. Live in Athens, Attiko Odeio Concert Hall, 1/3/08. REINVENTING GUITAR! *KERTSOPOULOS AESTHETICS: Guitars, strings, acoustic applications of evolved specifications, a 30-year research on history and æsthetics of guitar, accomplished by Greek guitarist-maker Yorgos Kertsopoulos and involving numerous suggestions on interpretation of old and new guitar repertoire, as well as transcriptions from other instruments to guitar. Since Æsthetics' first presentation in Athens, 1994, by their inventor, numerous astonishing innovations have enriched inventive guitarist's sound, recreating 500-years of beautiful guitar tradition: high-pitched, transitive and re-entrant tunings up an octave higher than the ordinary, double and triple-course stringing, tone-colour's diversity, access to unexplored tonalities, pedal mechanisms! HISTORIC EVIDENCE: In 1948 Andres Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and guitarists of such a worldwide prestige such as Julian Bream, John Williams, Alirio Diaz, Abel Carlevaro, Dimitri Fampas, Gerasimos Miliaresis, the Romero family, C.Parkening, A.Lagoya, I.Presti, L.Almeida ...

Saturday 18 September 2010

History of Construction in the United States


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The Empire State Building, the White House, the Golden Gate Bridge, and the United States Capitol - all have one thing in common (except for the obvious fact that they are all situated in the USA): they all testify to the rich history of architecture of the USA.

The architectural timeline of the USA can be divided into 5 different periods viz.

* The Colonial period (1607-1830)
* The Federal Age (1789-1865)
* Victorian Era (1837-1914)
* Arts and Crafts (1860-1920)
* Modernism (1920 and beyond)

In the 1600s, USA was mainly occupied by immigrants from Europe who settled in various parts of the country. Thus, the buildings built by them mainly constitute the architectural timeline of this period. Early colonial architecture varied considerably from region to region, based on the nationality of the settlers. What is now commonly called as folk architecture is normally a direct effect of uncomplicated motifs of the homelands of the builders finding their way into the architecture. Important constructions of this era incorporate Virginia state capitol (one of the leading examples of Georgian architecture) and Pennsylvania state house.

Federal constructions were a usual find in the post colonial era, from the creation of the US constitution to the starting of civil war. Federal architecture predominated government buildings and was heavily found in American settlements (mainly New England).

Federal period architecture is generally based on the English form of architecture. However, a renewal of Greek forms is also noticed, signifying the architectural freedom of America from the European heritage. With the commencement of the Civil War however, the acceptance of the Federal form died down. The United States Capitol was built in this duration.

In 1837, Queen Victoria started her command in United Kingdom. The early decades of the Victorian era witnessed the enlargement of the industrial revolution. Mass production began to set in, thus lowering the price of materials and handling time. Houses started to shift out of their squarish shapes and box like structures, paving the way for more complicated floor structures and confused architecture. As the luxury of American cities spread, a widespread demand for a today's (according to timelicurrent (according to current (according to timeline) shape of architecture was noticed. This led to a widespread tradition of the Victorian form of architecture. However, inception of World War 1 in 1918 marked the ending of this period.

However the increasing industrialization of the Victorian age had a frequent feedback as well. People started returning to craftsmanship, instead of heavily relying on machinery. Spanning the whole of Victorian age and going beyond the World War, the age of Arts and craft was a notable duration throughout the whole world. America was no exclusion.

Modernism in American architecture is simple, and notional. Going beyond the 1920s and more, modernism is heavily influenced by futuristic designs. With examples of giant skyscrapers like the Empire State Building and the World Trade Center, modernism has given America the pet name of the melting pot. The roots of the background is expressed, while a substantial move towards more futuristic designs is maintained, signifying the fact that variation is absolute.




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Friday 17 September 2010

Window of the world 8

Window of the world, Shenzhen, China

Thursday 16 September 2010

Facts On Tithing


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  1. The English word "tithe" as well as its Hebrew-Greek equivalents "ma`aser" and "apodekatoo" means a tenth.


  2. Many Christian churches preach tithing as a means of supporting the work of the Lord today. There are many variations of this theme. Some pay the local church one tenth of their income after taxes and bills are paid; some pay before. Others demand tithing on unemployment, inheritance, gifts, tax refunds, social security and even gambling winnings. The tithing issue has caused a great deal of strife and division in our churches over the years.


  3. The most well known passage on tithing comes from the Old Testament book of Malachi 3:7-10. This Scripture has given rise to the practice of "Storehouse Tithing." Simply stated, the congregation is exhorted from the pulpit to channel all of their Christian giving through the local church (storehouse). If they wish to give to a Christian organization, radio or television broadcast, etc., it must go through their denominational machinery in order for the local church to get "credit." Also the pastor and elders often must make the determination if the cause supported by the giver is "worthy."


  4. This use of the Malachi passage is a good example of Scripture being taken out of its historical and dispensational context. "This whole nation" in verse 9 is the backslidden nation of Israel, NOT the present day church (Malachi 1:1; 3:6). They were under the law of Moses as a system of conditional blessing. Believers today are not under the law but under grace (Romans 6:14). As such we have already been blessed by God with all spiritual blessings in heavenly places in Christ (Ephesians 1:3) and are under a system of unconditional blessing with grace on the throne (Romans 5:21).


  5. This should put an end to the common charge that believers who don't tithe are "robbing God" and will be "cursed with a curse." The storehouse mentioned in verse 10 is not a local church but a storage bin or silo in the Jewish temple where the grain from the Hebrew's tithes was stored (2 Chronicles 31:4-12).


  6. Under the law only agricultural products were tithed. They included grain, fruit, and livestock. Only products produced within the boundaries of the land of Israel were to be tithed. Jews living in Gentile lands were exempt (Leviticus 27:30-34).


  7. Others exempt from the tithing law included the hired hands, fishermen, miners, lumber workers, construction workers, soldiers, weavers, potters, manufacturers, merchants, government workers, and priests. In short, all who were not farmers were exempt.


  8. A farmer with only 9 cattle did not tithe because the law specified the "tenth which passeth under the rod." Likewise a farmer with 19 sheep paid only 1 sheep to the Lord's tithe.


  9. The Jewish farmers in the land could redeem (buy back) the tithes of their crops with a penalty of one fifth. In other words, if a farmer wishes to keep his tithe of grain worth $1,000, he could pay the cash equivalent of $1,200 (Leviticus 27:31).


  10. Livestock could not be brought back nor could the farmer exchange a good animal for a bad one or vice versa. Any attempt to substitute any other animal other than the tenth which passed under the rod would be penalized by the farmer forfeiting both the tenth and its substitute (Leviticus 27:33).


  11. God ordained the Levites to be the ones to whom the tithe was paid (Numbers 18:21). They were one of the 12 tribes of Israel to whom no inheritance was given in the land. The Lord Himself and the tithes of the children of Israel was their inheritance. It was used for the service of the tabernacle (later the temple) (Numbers 18:20-28).


  12. It was unlawful for anyone outside of the tribe of Levi to receive the tithe, such as prophets, preachers, kings or evangelists.


  13. The Levites paid one tenth of their tithes to the high priest. Not all Levites were priests but only the sons of Aaron. The priests did not tithe.


  14. The Lord Jesus Christ did not ask for or receive a tithe for support of His ministry. Being of the tribe of Judah (not Levi) He could not without breaking the law (Hebrews 7:14; Revelation 5:5).


  15. Neither Peter (not of the tribe of Levi) nor Paul (of the tribe of Benjamin) could receive tithes for the support of their ministries.


  16. Even the Jews do not practice tithing today because there are no Levites, priests, or temple worship in Jerusalem. Jewish rabbis know biblical law well enough to know that tithing under the present circumstances is unlawful. According to them, when the temple is rebuilt in Jerusalem with a consecrated altar with priests and Levites officiating, all Jews living within the biblical tithing zones will tithe.


  17. Some Christian ministries today continue to support tithing, using the argument that it predates Moses and the law. But this reasoning is not valid, for the Sabbath also predates the giving of the law (Exodus 16:23-29) and yet it is not binding on God's people today (Romans 14:5,6; Galatians 4:9,10; Colossians 2:16,17).


  18. Abraham gave tithes to Melchisedec, king of Salem, but this was the spoils of war, not the legalistic tithe of the land which Moses commanded. Also, God did not command the tithe, Abraham chose to give it of his own free will (Genesis 14:17-23; Hebrews 7:1-10).


  19. The only other scriptural reference to tithing before Moses is Jacob. Again there is no command to tithe. In fact Jacob puts up numerous conditions to be met before he will pay the tithe to the Lord (Genesis 28:20-22).


  20. The biblical references which address the tithing issues are: Genesis 14:20; 28:22; Leviticus 27:30-32; Numbers 18:20-28; Deuteronomy 12:6,11,17; 14:22,23,28; 26:12; 2 Chronicles 31:5,6,12; Amos 4:4; Malachi 3:8-10; Matthew 23:23; Luke 11:42; 18:12; Hebrews 7:5-9.1


  21. Paul the apostle to the Gentiles for this present dispensation of Grace does not mention tithing but says a great deal about Christian giving. Romans 15:25,26; 1 Corinthians 9:7-14; 16:1-3; 2 Corinthians chapters 8 & 9; Galatians 6:6-10; Philippians 4:10-19; 1 Timothy 5:9-18.

WHO is to give to the Lord's work? The Christian! He gives systematically, sacrificially, and joyfully. TO WHOM does he give? To Christ! FOR WHAT does he give? For the cause of Christ! NOT to a man or to a church, not for gain, but for the Gospel.

Endnote

According to Deuteronomy 14:22,23,28; 26:12; and Amos 4:4, the tithe was only given every three years.




This article originally appeared in the Berean Searchlight, the free monthly magazine of the Berean Bible Society. For over 60 years, the Berean Bible Society has been proclaiming the good news of Jesus Christ according to the revelation of the mystery.

Tuesday 14 September 2010

Rhodes Greece: Beaches, Architecture & Greek Culture

Rhodes Greece beaches, architecture & Greek culture. Invite Paul (info@PaulFDavis.com) to capture the beauty of your city. www.PaulFDavis.com speaker, author, poet & adventure capitalist / Rhodes, Greece beautiful beaches, architecture & culture. www.PaulFDavis.com/supernatural-power for breakthrough in your life!

Monday 13 September 2010

A Brief History of Ancient Egyptian Art


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Egyptians loved life on earth so much that they desired to take its pleasures into the after-world. They believed that the rich and powerful (at least) were able to take life's pleasures with them via placement in royal tombs, the Pyramids. Throughout the dynasties of Ancient Egypt, the role of the tomb and accompanying architecture, sculpture, and painting all worked to ensure that Egyptians would enter the afterlife prepared with all the worldly goods they needed.

Role of Art
Most Egyptian art and painting was done for the sake of the dead. At first items like jewelry, animals (cats, for example), food, and other essential tools and treasures were stockpiled within the tombs. The discovery of King Tut's cache brought the issue to prominence for those in the Western world thousands of years later, but this practice had been in effect for much of ancient Egyptian history.

For Egyptians who didn't want to stockpile actual items, yet still wanted to ensure a happy afterlife, many chose painting as a labor-saving and cost-cutting measure, replacing expensive treasures, sculpture, or stone carvings. Painting was not limited to tombs. Many wealthy Egyptians often had murals in their homes, done in richly textured, painterly styles. Yet most of the finest examples of Ancient Egyptian art that remains are remnants from tombs.

Examples of Ancient Art
One of the most important tomb paintings is "Geese of Medum" (2530 BC), which showcases three majestic birds from the tomb of Nefermaat, son of Sneferu, the first pharaoh of the 4th dynasty. It is only a frieze detail, but it already hints at the vitality and power of Ancient Egyptian art.

"Lamenting Women" (1370 BC) on the tomb of Ramose (a minister who lived under 2 pharaohs of the 18th dynasty) depicts the scene of a funderal procession. Although the women in the painting appear flat, their expressions of anguish fairly vibrate with emotion.

"Fowling Scene" (1400 BC) from a nobleman's tomb in Thebes is a good example of fresco secco, a technique that applies tempera paint to dry plaster, and echoes once again the importance of nature.

Importance of Art
For Ancient Egyptians, it was the "eternal essence" that mattered, the constant, unchanging reality that they sought to convey with their art. Art was not meant to reflect the changing nature of the external world. Even though the artists of Ancient Egypt were keen observers of nature, their art and its subjects were created according to a rigid standardization of forms and symbols.

This is not the reflection of "Primativism," as it is clear from Egyptian art that their technical skill was advanced and their understanding of natural form was astute. Instead Egyptian art was a direct consequence of intellectual decisions that were geared toward the presentation of an ideal.

For example, in Ancient Egyptian art, every subject is shown from an angle that would make it most clearly identifiable, according to a rank-based scale (small to large) based on social hierarchy. The result is a highly patterned almost diagram-like appearance.

This overriding focus on clarity applied to all subjects. In humans, for example, the human head is always shown in profile, yet both eyes are always drawn in front. Figures are portrayed in the same manner, from small to large, based on their ranking in society. Children are merely small adults. As a result, Ancient Egyptian art appears to have a flat appearance without a hint of perspective, but this was a conscious artistic choice.

Rules of Representation
Full-length Egyptian figures in Ancient Egyptian art are organized by the "rule of proportion," a strict geometric grid system that ensured accurate repetition of the artistic ideal. This was a foolproof system that regulated the exact distances between parts of the body (divided into 18 equal units) and placed in relation to points on a grid.

Before beginning to draw a figure, the Ancient Egyptian artist would create a grid. This can be seen in the Egyptian painting "Pharaoh Tuthmose III" (1450 BC), where the grid still remains.

Breaking with Tradition
Not only did Egyptians paint tombs, they also painted sculpture, and one outstanding example is "Head of Nefertitti" (1360 BC), which was a portrait of the wife of Pharaoh Akhenaten. This example of Ancient Egyptian art is very unusual, however, because it shows a loosening of the rigid conventions that prevailed for centuries. It shows a wistfulness, a grace and originality rarely seen.

This break with traditional Ancient Egyptian art did not last. Naturalism and subtleness had no role in Ancient Egyptian art, and realism was not important. Instead, this mysterious time in history would remain fixated on creating an art that strived for the ideal.




Christine Zibas is a veteran of the think tank world, having worked in both Washington, DC, and London. She is a former travel writer, specializing in educational travel. Her last job before becoming a freelance writer was as director of publications for a nonprofit organization, based in Chicago, Illinois.

Sunday 12 September 2010

Creating An Eclectic Design Style For Your Room


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The master bedroom should be fitting for the master of the home. Unfortunately, most of the time the master bedroom is the last and final room that is decorated. Choosing a design style, such as the modern contemporary decorating style, for your master bedroom can be a wonderful way to make your bedroom into a room that you need and deserve.

Some people prefer a more eclectic style of decorating where they combine a few different decorating styles in their home. This can work well if you do it in a harmonious way that makes a cohesive part, rather than just throwing many different styles together. Create a harmonious flow with your choices to make your room more welcoming and comfortable for you and your family.

How do you make your choice in design styles? You first need to find a foundation for the rest of your design. This can be a paint color, piece of fabric, or a piece of furniture. This is you starting point for the rest of your design. Now you are ready to find items that work well with this particular color, so that you can create a master bedroom to be proud of.

If you are set on an eclectic style of decorating, there are a few combinations that you will want to consider for your master bedroom.

1. Contemporary Style and Country Style - This combination creates a design style that is known as Modern Country. It involves using traditional country furnishings along with new contemporary designed furnishings. This creates a mingling of the industrial and high-tech worlds.

2. Roman and Greek Decorating Styles - This combination creates a design style that is known by the moniker of Greco Roman style. This is when you combine both Roman and Greek design styles and architecture. These two work very well together, due to the fact that they are very closely linked and have very close styles.

3. Modern Style and Tropical Style - You will find that the tropical style can be enhanced by the more contemporary and modern style of furnishings.

Your master bedroom should be a room that you want to take refuge in after a long, hard day of work. By finding the right design style for your room, you can make this room into a beautiful extension of your home and your personality that will give you a place to relax and rest in. Inspiration can come in many different ways, so be sure that you are open to the different design styles, whether modern contemporary decorating style or country style, to create a master bedroom that you will be proud of.




Adam Peters is a syndicated writer of http://www.home-decorating-reviews.com A focused website that offers the best articles on modern wall papers and flooring

Saturday 11 September 2010

ona showreel casestudy1

this is a mini - portfolio presentation - small part of case study 1 -2009 be tuned for more Ona branding design identity She is a communication designer, consultant based in Greece, she was born in December 1980 in Piraeus - Attica city, where she still lives. She studied Graphic Arts and graduated in 1998 from EPL Professional Lyceum with the first class honor in Graphic design. Later on she fulfilled her Free Drawing and Graphic Arts studies. She created her own workshop while she kept updating her feedback by attending seminars of iconography carried out by Iconographer Theodoros Tibilis, as well as Web Design & Development in Technical Education Foundry Piraeus (Τ.Ε.Ι.). Allready at the age of 20 and before the completion of her studies, she entered the professional field of the optical communication as 'junior art director' and later on she became 'Art director'. In 2006 she founded her own creative (Branding, Design & Identity) company with the brand name "Ona" Anna has worked with a number of clients included, Hellenic Navy, Athens & Piraeus Municipality, Mc Milan Books SA She also works for numerous well-known companies, keep on creating Brands. She is currently undertaking her degree in Interior Design Architecture & Stage Design in Vakalo Art college, Derby University. MEMBER OF: GDA (Greek Graphic Designers Association) since 2003. She keeps on being a member of "Social network Design 21", "Design boom". webfolio: www.onacreative.

Thursday 9 September 2010

Man's Historical Love Affair With a Big Penis


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In the history of mankind, a large penis has been renowned, worshiped, and respected. Is it no wonder that men and women are obsessed with a large penis? Its importance and reverence has been around since the beginning of mankind.

If you go back in history and look at statues, art, ceremonial objects, mosaics, everyday objects, building architecture, and even sand paintings, there is one thing that you will notice, if the object contains nude men, then its likely that the male figure is going to stand out for one main reason. And in most cases, the man or man-like creature will stand out because he has a large penis. Actually, a very large penis in most examples. A lot of this "art" is considered "erotic" art today, but at the time of its creation, it was not erotic, but commonplace. Most ancient cultures didn't have the hang-ups about sexuality that we have today.

Just look at some of the men in Greek mosaics and bowls. The South American and Central American cultures were also very keen on big penises being portrayed on their men. Look at early Japanese erotic art. Look at the Tantric architecture in India. Even the Native American fertility deity, Kokopeli, usually is portrayed with a very large penis.

In some cases the penises aren't just large, but they're almost grotesquely large. Of course many of these deities, man-like creatures, mythological characters, and the like, were an important part of fertility realization and ceremonies. Since the dawn of mankind, Man has typically associated a larger penis with a stronger, more fertile, and more powerful man. It was an important part of the culture of mankind and they realized its importance. Figurines of large-penised men were worshiped believing that this would increase the fertility for the men and women in the culture.

Even though we live in such a "modern" world today, we are still affected by the feelings and cultures of our ancestors through what is called an "archetype." These are universal symbols recognized by all people and cultures. They form the basis for our history and humanity; and have been handed down since the beginning.

Is it any wonder that even though it isn't politically correct to speak about penises, and you don't see very much "consumer" based products that portray a large penis on a man in the stores? You don't see many buildings being built today with largely-endowed men, nor do you see statues being erected in the town center showing the same sort of man, nor can you go to your local department store and purchase a china set showing the same type of men; it's clear that it is something that maybe we want to ignore but can't. It's a part of our past we cannot escape.

Creating your own large penis can be accomplished through Natural Penis Enlargement. These techniques are available to all men who are serious about enlarging themselves; and strangely enough some of these have been passed down from our ancients. A great book on the subject is IRON MAN PENIS - The Russian System. Read it and change your life.

Sincerely,

Georg von Neumann




Dr. von Neumann's articles have appeared on hundreds of web-sites, article-sites, and blogs throughout the Internet. In most cases, his material was "borrowed" by other "authors" promoting their own penis-enlargement books and products without his permission or due credit. However, Dr. von Neumann does not have to "borrow" other people's material and claim he wrote it; as he has spent 20 years in the medical field and actually understands how penis enlargement works. After spending months in the former Soviet Union, he co-authored IRON MAN PENIS - THE RUSSIAN SYSTEM with Igor Krynov, to help men get the most out of their sexual and enlargement potential.

Wednesday 8 September 2010

Alonissos Island(Greece) Little Churches :Panagia Vounou & Profitis Ilias.

In the beautiful little Greek island of Alonissos, one can see many old little churches either by the sea or on the highest tops of the mountains.Here you can see 2 examples.The little church of Panagia Vounou and the little church of Profitis Ilias.The inhabitants of Alonissos take care of these churches, painting them and cleaning them.They are part of the history of the island which is very rich in traditions.Alonissos Island is a jewel in the middle of the Aegean Sea.The churches shown in this video are from the XVIIth and XIXth centuries.

Tuesday 7 September 2010

Fish People.wmv

"OANNES. -- According to Berosus, there appeared in the Erythraean Sea -- the modern Persian Gulf -- bordering on Babylonia, an animal endowed with reason, whose name was Oannes or John, perhaps the Anu of the Assyrian inscriptions. By various writers, this creature was differently represented; but the usual appearance in which it was visible was in that of a fish, having beneath its fish's head a human head, and feet beneath like those of a man -- strongly reminding archaologists of the Mexican priests, who covered themselves with skins of wild beasts, and wore masks representing hideous forms. Alexander Polyhistor, from whom we derive a knowledge of this mysterious personage, on the prior authority of Berosus, says, that he used in the day time to converse with man, but never ate in common with them; that he communicated a knowledge of letters, sciences, and arts. He taught the art of building, the principles of architecture and geometry; he was also the first instructor in botany and agriculture. In fact, he was the universal teacher of all human learning; and at sunset, this being again plunged into the sea, and remained concealed from the eyes of men, until light again dawned on the world. Apollodorus identifies OANNES with the Greek OINAS, and the IONAS or JONAH of the Babylonians or Chaldees. He was also called ODACON, a corruption of ö Dagon, the God DAGON or the Sun-Fish. It has been supposed, also, that OANNES was the same as the Welsh Guoydion -- the son of Don ...

Monday 6 September 2010

The Grand Basilica of the first Bulgarian capital Pliska,p 1

The Grand basilica of the first Bulgarian capital Pliska. The most impressive architectural monument of the ancient Bulgarian capital Pliska is the Grand Basilica. With its 2920 square metres it was the largest Christian church on the Balkan Peninsula for its time. The imposing three-nave basilica was 100 metres long and 30 metres wide. It was in the centre of a monastery complex of sophisticated architecture. Pliska is the town where the Christian faith was adopted as an official religion of the Bulgarian people in the 9th century. In the year 886 Prince Boris I received here the disciples of the creators of the Slav Alphabet the brothers Cyril and Methodius. Голямата базилика в Плиска Най-забележителният архитектурен паметник в старата българска столица Плиска е Голямата базилика. Със своите 2 920 кв. м. тя е най-голямата християнска църква на Балканския полуостров по това време. Огромната трикорабна базилика е оградена от голям манастир със сложна архитектура. Плиска е градът, в който българите са покръстени в християнската вяра. Тук през 886 година княз Борис I e приел учениците на създателите на славянската писменост братята Кирил и Методий.

Sunday 5 September 2010

Music History - The Renaissance Part 2


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The underlying principles all Renaissance art was its artistic honesty to nature, as opposed to tradition, which had been the style of pre Renaissance art.

This principle was deduced from the study of the new found learning, being spread throughout Italy by Greek refugees, and the consequent awakened interest with which people regarded the remains of ancient architecture, sculpture and other art forms, constantly being unearthed in their own country.

With the adoption of the classical principle of truth to nature, naturally came the adoption of a second, that of the study of the antique as the true path to excellence in art or letters. We cannot fail to recognise these twin principles at work in the writings of the masters of the musical Renaissance.

A parallel to that truth to nature, which the painters and sculptors of the Renaissance proper acquired from the study of Greek art, may be traced in the efforts of the composers of the Renaissance, to make their music more and more flexible and responsive to the varied play of human sentiment.

Musicians as well as sculptors and painters studied antique art. Although for musicians not as profitable, the lessons to be learned from antiquity by musicians were not for educational purposes but more for inspiration and creativity.

Palestrina has already been mentioned as typifying the culmination of the musical development of the early ages, and now, in taking up the consideration of a new period, we have, in the first place, to concern ourselves with a man who was already forty eight years old when Palestrina was born. The Flemish composer Adrian Willaert, chapel master of St. Mark's at Venice.

Willaert may be considered as belonging at the same time to the old order and the new, for while, in common with his fellow citizen, Orlando di Lasso, some may say he was one of the last and greatest of the Flemish masters. At the same time, he must be reckoned as a forerunner of the musical reformers of the Renaissance.

Willaert, although he did not originate any new forms in music, may lay claim to have been one of the first to give musical expression to that love of colour, movement, and general spirit of adaptiveness, which are such outstanding characteristics of the Renaissance period.

The forms he employed were those used by his contemporaries and immediate predecessors. The Mass, Psalm, Motet, and Madrigal. However, in them all his colour sense was very strong, comparatively speaking, that is, for that tonal splendour, which led the Venetians in their enthusiasm to term the works of their cherished "Messer Adriano" aurum fotabik or "drinkable gold" might not be so readily apparent to a modern audience.

Although to a musician, instituting a comparison between the works of Willaert and those of earlier writers, the effects gained through the use of broadly contrasting harmonies by the Flemish master cannot fail to appear strikingly original.

While dealing with Venetian music mention must be made of Andrea and Giovanni Gabrielli, uncle and nephew, who represent a later development of the style of Willaert. Giovanni Gabrielli (1557-1612) carried his experiments in tone colour into the region of pure instrumental music; and his "Symphonic Sacrse," the first volume of which was published at Venice in 1597, entitles him to rank as one of the earliest of writers for the orchestra.

In the first volume of this work, there are sixteen pieces for from eight to sixteen instruments, and in the second volume, there are canzonets for as many as twenty-two instruments. These compositions are written for violins, cornets (not the cornets of modern times, but wooden instruments), and trombones.

After the time of Willaert and the Venetians, were the actual workers in the Renaissance of music, and the first of their achievements, the invention of the Music Drama or Opera.




Mike Shaw is an organist and keyboard player and owns music websites, http://www.mikesmusicroom.co.uk, http://www.keyboardsheetmusic.co.uk and http://musical-instruments-uk.mikesmusicroom.co.uk/

Saturday 4 September 2010

I Love Touring Italy - Basilicata


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If you are looking for a European tourist destination, consider the Basilicata region of southern Italy. Basilicata forms the instep of the Italian boot with two small seacoasts, one on the Ionian Sea in the east and one on the Tyrrhenian Sea in the west. Depending on your interests, Basilicata may be an ideal vacation spot. You can get classic Italian food, and wash it down with fine local wine. Basilicata is among the few regions of Italy as yet undiscovered by tourists. There's a tradeoff; you won't have to fight the crowds to see what you want to see. On the other hand, you'll have a hard time finding fancy hotels. And its roads are not always the best, hardly surprising when you consider the region's mountainous terrain.

Basilicata's population is only slightly above six hundred thousand. While quite mountainous this is the only region of Italy in which farm workers outnumber industrial workers. Up until the 1970s it steadily lost population to other Italian regions and to emigration abroad. But all is not lost. Its east coast has become an important agricultural area. And the mountainous interior with poor soil and lots of sun; what could be better for producing fine wine? Let's not forget that many consider Basilicata's native Aglianico (also found in Campania) to be Italy's third best red grape, after Nebbiolo and Sangiovese. It sounds like there could be a major breakthrough in Basilicata's wine industry.

We'll start our tour of this region in the northeast at Matera. Then we head south and east to Potenza. From there we go southeast to Aliano and then south and east to Terranova di Pollino and the Parco Nazionale. If you want a bit of seaside you could continue to the little town of Maratea on the coast of the Tyrrhenian Sea. When driving in this part of the world, you'll need a good map and good reflexes; the roads here don't always go directly from Point A to Point B and rarely go in a straight line.

Matera, population sixty thousand, lies just south of the Apulia border. This area has been settled since Palaeolithic times, in other words for at least twelve thousand years. The Romans claimed to have founded the city in the Third Century B. C. Like so many other parts of Italy it was occupied by an almost never-ending stream of invaders. One of the proudest moments in Matera's history was in September 1943 when it rose against the German invaders, the first Italian city to do so. We'll start with the usual sights and finish with something truly unique.

Matera's Duomo (Cathedral) dates from the Thirteenth Century and was built in the Apulian-Romanesque style (Apulia is the region north of Basilicata, its architecture reflects Greek, Arab, and Norman influences.) There are frescoes and sculptures to admire. Check to see if the Thirteenth Century Romanesque Church of San Giovanni Battista has been reopened for tourists. If so, stop by. But these sights pale in comparison to Matera's unique old town in which the streets are often rooftops and the houses, churches, and chic restaurants are caves, hewn out of solid rock.

The Sassi di Matera (Stones of Matera) are caves that have been occupied continuously by human beings for an estimated nine thousand years. At twenty years per generation, (remember they didn't wait to finish law school before starting a family in those days) this works out to an incredible 450 generations possibly living in the same neighborhood. The area has been named a World Heritage Site and numerous bars and restaurants now take advantage of this unique location. What a turnaround from the days when Matera because of the Sassi was called ''la vergogna nazionale,'' Italy's shame.

The area is thought to resemble ancient Jerusalem, and so has become a great place to shoot historical movies such as Pier Paolo Pasolini's The Gospel According to St. Matthew, Bruce Beresford's King David, and Mel Gibson's The Passion of the Christ. To quote Mel "In fact the first time I saw it I just went crazy because it was so perfect".

To quote the famous Italian author Carlo Levi (Matera, 1952) "In the Sassi caves is concealed the capital of the peasants, its heart hidden in their ancient civilization. Anyone who sees Matera cannot help but be awe-struck, so expressive and touching is its sorrowful beauty." On the other hand he also wrote (Christ Stopped at Eboli, 1946): "They are caves dug out of the hard clay of the ravine...inside those black holes, with earthen walls, I saw the beds, the poor furnishings, the rag spreads. On the floors were sprawled dogs, sheep, goats, pigs. Each family had, in general, a single one of these caves for its entire residence and they all slept here together, men, women, children and animals. Twenty thousand people lived in this manner".

Potenza with a population slightly under 70 thousand is the capital of Basilicata. Here in a famous battle Carthage definitively lost to Rome. The city has known numerous invasions and earthquakes, the latest in 1980. During the Second World War Potenza was bombed heavily by the Allies. Monuments to see include the Twelfth Century St. Gerard Cathedral, and the Eleventh Century Church of San Francesco which includes a Renaissance painting entitled Madonna del Terremoto (Our Lady of the Earthquake). The Romanesque Church St. Michael the Archangel was also built in the Twelfth Century as was the Church of St. Mary of the Sepulcher. You should also see the Castle's Tower built prior to the year 1000 and the ruins of a Norman fort, probably built on Roman and Byzantine foundations. All in all there's a lot of old stuff to see for a small provincial capital that was almost destroyed by earthquakes. But if you don't have time to see both Potenza and Matera I think you know which one to choose.

With less than twelve hundred inhabitants you might be tempted to skip the village of Aliano. Don't, it's living proof of the phrase - good things come in small packages. The scenery is spectacular, cliffs and rivers, and gullies, and local growing things include olive, peach, and citrus trees. This lovely scenery may be typical of the region. However, unlike any neighboring village Aliano is famous thanks to an involuntary visitor who stopped by more than seventy years ago. Between May,1935 and October,1936 Aliano was the home in exile of the well-known author Carlo Levi quoted above. Levi, a painter educated as a doctor, was a founder of an Italian anti-Mussolini movement. This explains his unintentional extended Aliano visit. Once released from exile Levi spent two years in France but returned to Italy and was imprisoned once again. After the war he wrote a book, Christ Stopped at Eboli, about his Aliano experiences. This book exposed the problem of poverty in Southern Italy to the relatively prosperous North. Levi served nine years in the Italian Senate where he continued his fight against poverty. He is buried in the village,. The house where he lived is still standing; it is now the Museo Storico Carlo Levi (Carlo Levi Historical Museum).

Terranova di Pollino is a mountain village in southern Basilicata very close to Calabria. It lies at the entrance to the Parco Nazionale del Pollino (Pollino National Park) the largest in Italy at just under 750 square miles (more than 1900 square kilometers.) Let's quote their website "With its 192,565 hectares, Pollino National Park, the largest protected area in Italy between Calabria and Basilicata, has a wealth of landscapes to offer: great areas of wilderness where the cuirassed pine -the true emblem of the park- clings to the rocky slopes as the wind shapes its twisted trunk; not far away, rolling hills and valleys, lush slopes with flowering plants in springtime, and then endless upland plains where the sheep still graze like in ancient times."

But that's not all. The park is home to a wide variety of endangered species. Many fossils have been found including a very well preserved skeleton of a giant elephant that lived between 400,000 and 700,000 years ago. Other fossils date from the time when dinosaurs ruled the earth. Historic churches abound in the neighboring villages. Many of these villages are home to ethnic Albanians who have kept their language and culture for over five hundred years. Look for their festivals during the spring and summer months.

What about food? Basilicata is very traditional when it comes to cooking. As expected in an economically deprived area meat consumption is limited. The major meat is pork and the locals know how to extract the maximum from their porkers. Hot peppers are popular and can be quite hot. Basilicata bread is consumed in many parts of Italy. Locals make a special pasta from wheat and lard. The Pollino mountains are known for wild mushrooms and for game.

Let's suggest a sample menu, one of many. Start with Zuppa di Pesce alla Santavenere (Ionian Fish and Seafood Soup). Then try Spezzatino di Agnello (Lamb stewed in an earthenware pot). For dessert indulge yourself with Frittelle alla Lucana (Doughnuts). Be sure to increase your dining pleasure by including local wines with your meal.

We'll conclude with a quick look at Basilicata wine. Basilicata ranks 17th among the 20 Italian regions for the acreage devoted to wine grapes and for total annual wine production. About 73% of the wine produced is red or rosé, leaving 27% white. The region produces two DOC wines, Aglianico del Vulture and Terre dell Alta Val d'Agri. DOC stands for Denominazione di Origine Controllata, which may be translated as Denomination of Controlled Origin, presumably a high-quality wine. Only 2.4% of Bascilicata wine carries the DOC designation.

If you like powerful wines, try the Aglianico del Vulture from a local grape that grows on the extinct Mount Vulture volcano or its surrounding hills. This wine may be cellared for up to twenty years. The sparkling version may be dry or sweet. The red Terre dell Alta Val d'Agri is made from Merlot, Cabernet Sauvignon, and possibly some local red grapes. The rosé version may include some local white grapes as well.




Levi Reiss has authored or co-authored ten books on computers and the Internet, but to be honest, he would rather just drink fine Italian or other wine, accompanied by the right foods. He teaches classes in computers at an Ontario French-language community college. His major wine website is http://www.theworldwidewine.com and his major article website is http://www.travelitalytravel.com

Friday 3 September 2010

BALKAN DANCE 2 GREGORIADOU guitar

Smaro Gregoriadou: reinventing guitar! is the title of Smaro's new cd work released by DELOS INTERNATIONAL in July 2009, which also includes her composition: Balkan Dances for solo guitar. SMARO GREGORIADOU interprets Baroque, Romantic and Contemporary music on three guitars different in type, number and material of strings, timbre and tunings (recording premieres). They feature Kertsopoulos Æsthetics (guitars, strings, acoustic applications of evolved specifications), a thorough research on history and aesthetics of guitar involving numerous suggestions on interpretation of old and new guitar repertoire, accomplished by Greek guitarist and guitar-maker Yorgos Kertsopoulos. Participating in the effort to revive the aesthetic experience of different historical forms of guitar, Smaro Gregoriadou projects on an international scale the need for a re-definition of the instruments sound and technique. This yields an interpretive perspective that stands as the nucleus of her art: reinventing guitar! Instruments of the cd include: 1.Triple-double-single course guitar (right-hand pedal) in re-entrant tuning - first world recording 2.Single-stringed guitar in ordinary or low tunings with right-hand pedal 3.Single-stringed high-tuned guitar with right-hand/movable back pedals and scalloped fingerboard, with which this Balkan Dance is herewith played. HISTORIC EVIDENCE: In 1948 Andres Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar ...

Thursday 2 September 2010

Nipiagwgeio stin aigypto

peiramatiko videaki

Wednesday 1 September 2010

Greece:


Image : http://www.flickr.com


Ancient Greek culture thrived from the 3rd millennium to the first century B.C. and its cultural accomplishments, art, architecture and philosophy deeply influenced thinkers, writers and artists in many subsequent civilizations. The concept of democracy originated in ancient Greece and became the foundation of political principles for most modern nations. Greece - truly one of the cradles of modern civilization.

Picture Athens in its heyday crowned by the Acropolis. The Parthenon, an ancient Greek temple dedicated to the goddess Athena Parthenos (Athena the Virgin), is located on the Acropolis. Although partly in ruins today, it remains a masterpiece of Greek architecture. Overall, Athens has much to offer: near-constant sunshine, access to sandy beaches and idyllic islands, and the sites of the 2004 Olympics.

Today you will see a thoroughly modern city with a population of around 5 million people, complete with overcrowding and pollution. Nevertheless the ancient sites are unique in the world.

History buffs will want to explore other historic places like Delphi, Olympia, Epidauros and Mycenae. Greek mythology seems to come alive here. The Greek islands are sparkling jewels in the Mediterranean and there are literally thousands of them.

Crete is the fifth largest island in the Mediterranean and a favourite tourist destination for northern Europeans. Corfu is the most northerly of the Ionian islands with a mountain chain in the north, a central hilly region and a flat southern area. Rhodes is part of the Dodecanese islands and is known for its healthful climate and fertile soil. The island of Santorini is a photographer's paradise with its white villages that are nestled into steep volcanic cliffs. Mykonos is one of the most beautiful islands of Cyclades, it is cosmopolitan and offers an intense nightlife. A ferry trip in between the various islands can be an exciting way of getting around and exploring the local lifestyle.

Macedonia, the ancient home of Alexander the Great in the north of Greece, has several well-known travel destinations: Halkidiki, Thassos, Thessaloniki. The capital of Macedonia, Thessaloniki, is the second largest city of Greece. It was first established in 316 B.C. by Kassandros and named after his wife, Thessaloniki, sister of Alexander the Great. Its unique charms comes from large avenues, parks and squares,with trees lining commercial streets with showy shop-windows.

Among the most unique sites in Greece are the Monasteries of Meteora, ancient buildings patched against a series of surrealistic-looking rocks with precipitous vertical drops. There are four monasteries and two convents that are still active today and certainly worth a visit. Greece combines stunning scenery with ancient history and near perfect weather which make it a great travel destination.




Susanne Pacher is the publisher of a website called Travel and Transitions(http://www.travelandtransitions.com). Travel and Transitions deals with unconventional travel and is chock full of advice, tips, real life travel experiences, interviews with travellers and travel experts, insights and reflections, cross-cultural issues, contests and many other features. You will also find stories about life and the transitions that we face as we go through our own personal life-long journeys.

Submit your own travel stories in our first travel story contest(http://www.travelandtransitions.com/contests.htm) and have a chance to win an amazing adventure cruise on the Amazon River.

"Life is a Journey ­ Explore New Horizons".

The interview with photos is published at Travel and Transitions - Interviews